Abstract
Heidegger’s analyses of technology and dwelling in the earth are brought to bear on the architectural works of John Lautner and Paolo Soleri. Lautner’s works are represented as an aesthetic response to the problem of disenchantment and alienation from nature. Soleri’s Arcosanti is discussed as a way to use modern technology to create an ecologically self-sustaining habitat. Glenn Murcutt’s works are interpreted in light of Heidegger’s later work, in which he discusses the relationship of the fourfold of earth, sky, mortals, and gods. Murcutt’s use of modern technology to “touch the earth lightly” is upheld as an example of architectural practice that consciously maintains itself within the fourfold.
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Notes
Bachelard, Gaston, The Poetics of Space, Boston: Beacon Press, 1994: 8.
Weintraub, Alan, and Hess, Alan, The Architecture of John Lautner, New York: Rizzoli, 2000: 12–13.
Soleri, Paolo, What If? Collected Writings, Berkeley Hills Books, 2003: 167.
Cited in Docherty, Thomas, Postmodernism: A Reader, New York: Columbia University Press, 1992: 301.
Cited in Docherty, Thomas, Postmodernism, 1992: 307
Drew, Philip, Touch This Earth Lightly: Glenn Murcutt in his Own Words, Duffy and Snellgrove (Now distributed by MacMillan) 2000: 78.
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© 2014 Anthony Lack
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Lack, A. (2014). Architecture and Dwelling. In: Martin Heidegger on Technology, Ecology, and the Arts. Palgrave Pivot, New York. https://doi.org/10.1057/9781137487452_7
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DOI: https://doi.org/10.1057/9781137487452_7
Publisher Name: Palgrave Pivot, New York
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