Abstract
Attempts to distinguish between travel writing and ethnography (or, more generally, anthropology) have become a staple of the debates surrounding both since at least the mid 1980s, at roughly the time that travel writing studies was beginning to establish itself as an academic field.1 It is possible to track these debates through a series of key books and articles, including — to cite just a few examples, presented in chronological order — Valerie Wheeler, ‘Travelers’ Tales: Observations on the Travel Book and Ethnography’ (1986); Mary Louise Pratt, ‘Field work in Common Places’ (1986); Peter Crawford and David Turton, Film as Ethnography (1992); James Clifford, Routes: Travel and Translation in the Late Twentieth Century (1997); Patrick Holland and Graham Huggan, Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (1998); Jan Borm, ‘In-Betweeners? On the Travel Book and Ethnographies’ (2000); Joan Pau Rubiés, ‘Travel Writing and Ethnography’ (2002); Peter Hulme and Russell McDougall, Writing, Travel and Empire: In the Margins of Anthropology (2007); and, most recently, Ivona Grgurinovic, ‘Anthropology and Travel: Practice and Text’ (2012).2
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Notes
Valerie Wheeler, ‘Travelers’ tales: observations on the travel book and ethnography’, Anthropological Quarterly 59.2 (1986): 52–61
Mary Louise Pratt, ‘Fieldwork in Common Places’, in James Clifford and George E. Marcus (eds.), Writing Culture: The Poetics and Politics of Ethnography (Berkeley, CA: University of California Press, 1986), 27–50
Peter Crawford and David Turton (eds.), Film as Ethnography (Manchester: Manchester University Press, 1992)
James Clifford, Routes: Travel and Translation in the Late Twentieth Century (Cambridge, MA: Harvard University Press, 1997)
Patrick Holland and Graham Huggan, Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (Ann Arbor, MI: University of Michigan Press, 1998)
Jan Borm, ‘In-Betweeners? On the Travel Book and Ethnographies’, Studies in Travel Writing 4.1 (2000): 68–105
Joan Paul Rubiés, ‘Travel writing’; Peter Hulme and Russell McDougall, Travel, Writing and Empire: In the Margins of Anthropology (London: Tauris, 2007)
Robert Dixon, ‘Ground zero: Nicholas Rothwell’s natural history of destruction’, Studies in Travel Writing 15.2 (2011): 177–88
Rothwell, Wings of the Kite-Hawk (Sydney: Pan Macmillan, 2003), 11.
See Dominick LaCapra, ‘Trauma, Absence, Loss’, Critical Inquiry 25.4 (1999): 696–727
Ibid., 69, 72. See also Piene Bourdieu, Outline of a Theory of Practice, ed. Jack Goody, trans. Richard Nice (Cambridge: Cambridge University Press, 1977).
See Pratt, Imperial Eyes: Travel Writing and Transculturation (London: Routledge, 1992)
See Peter Davidson, The Idea of North (London: Reaktion, 2005)
Sherrill Grace, Canada and the Idea of North (Montreal and Kingston: McGill-Queen’s University Press, 2001).
See James Clifford, ‘On Ethnographic Allegory’, in James Clifford and George E. Marcus (eds.), Writing Culture: The Poetics and Politics of Ethnography (Berkeley, CA: University of California Press, 1986), 98–121.
See for example, James Clifford, The Predicament of Culture: Twentieth Century Ethnography, Literature, and Art (Cambridge, MA: Harvard University Press, 1988).
Ross Chambers, The Writing of Melancholy: Modes of Opposition in Early French Modernism, trans. Marie Seidman Trouille (Chicago: University of Chicago Press, 1987), 169, 173.
For a range of views on the relationship between surrealism and politics, see Raymond Spiteri and Donald LaCoss (eds.), Surrealism, Politics and Culture, Studies in European Culture, 16 (Aldershot: Ashgate, 2003).
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© 2015 Graham Huggan
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Huggan, G. (2015). Anthropology/Travel/Writing: Strange Encounters with James Clifford and Nicolas Rothwell. In: Kuehn, J., Smethurst, P. (eds) New Directions in Travel Writing Studies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137457257_15
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