Abstract
Educational research has focused heavily on first-person observation and, more recently, on researcher-produced photographs and videos of schools and educational settings (Costello 2001; Prosser 2007; Prosser & Loxley 2002; Sekula 1980; Tobin, Wu & Davidson 1989). Another approach, ‘photovoice’, includes the analysis of subject-produced photographs and drawings to investigate children’s lives in school. Photovoice is also used to gain subjective insight into student and teacher experiences (Mitchell & Weber 1999a; Burke & Grosvenor 2003; O’Donoghue 2007; Ganesh 2007; Shohel & Howes 2007; Mitchell 2008). However, as privacy and liability issues increasingly influence decisions about research access, particularly in the United States, this type of visual research has become increasingly cumbersome, difficult and, in some cases, virtually impossible. Schools held to high-stakes performance standards are less willing to allow access since they feel that researcher presence might ‘take away’ from lesson time. Parents and teachers are less willing to sign informed consent forms — much less modelling-performing-narration releases — due to concerns of distraction and privacy. In addition, even when access is possible, oversight by ‘institutional review boards’ (IRBs), administrators, or ethics panels often place restrictions on photographs that may infringe on the anonymity or confidentiality of informants, especially protected populations like children. These restrictions make visual research in educational settings challenging, if not impossible.
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Rowe, J., Margolis, E. (2016). On Using Found Object Photographs in School Research. In: Moss, J., Pini, B. (eds) Visual Research Methods in Educational Research. Palgrave Macmillan, London. https://doi.org/10.1057/9781137447357_3
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DOI: https://doi.org/10.1057/9781137447357_3
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