Abstract
This chapter aims at exploring the large corpus of comic songs performed on the British music hall stage during the Great War. Writings on humor generally begin by declaring how difficult it is to define the term itself;1 underlining the absurd or unexpected is often considered to be an essential element, while Bergson’s classic essay explains that humor is specifically human and social.
The comic does not exist outside the pale of what is strictly human. A land-scape may be beautiful, charming and sublime, or insignificant and ugly; it will never be laughable.2
[…]You would hardly appreciate the comic if you felt yourself isolated from others. Laughter appears to stand in need of an echo.3
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
Works Cited
Ashworth, Tony. Trench Warfare 1914–1918, the Live and Let Live System. London: Pan, 1980.
Bergson, Henri. Laughter: An Essay on the Meaning of the Comic. London: Macmillan, 1911.
Cameron Wilson, T. P. Magpies in Picardy. London: The Poetry Bookshop, 1919.
Davis, Christie. “Humour Is Not a Atrategy in War.” Journal of European Studies 31 (2001): 395–412.
Elgozy, Georges. De l’humour. Paris: Denoël, 1979.
Ellsworth-Jones, Will. We Will Not Fight … : The Untold Story of World War One’s Conscientious Objectors. London: Aurum Press, 2008.
François-Denève, Corinne. “Every Man in His Humour: sur la piste de l’humour ‘anglais’.” Humoresques 36 (2013): 5–26.
Hardy, Rev E. J. The British Soldier, His Courage and Humour. London: T. Fisher Unwin, 1915.
Holman, Valérie, and Kelly, Debra. “War in the Twentieth Century: The Functioning of Humour in Cultural Representation.” Journal of European studies 31 (2001): 247–63.
Kennedy, Thomas Cummins. The Hound of Conscience: A History of the No-conscription Fellowship, 1914–1919. Fayetteville: University of Arkansas Press, 1981.
Martin, Rod A. “Sense of Humor and Physical Health: Theoretical Issues, Recent Findings, and Future Directions.” International Journal of Humor Research 17, No. 1–2 (2006): 1–19.
Mullen, John. “Anti-Black Racism in British Popular Music 1880–1920” in special issue of the Revue Française de Civilisation Britannique (2012): 59–78.
—. “Stéréotypes et identités: Irlande et les Irlandais dans le music-hall britannique 1900–1920.” in Michel Prum (Ed.) Racialisations dans l’aire anglophone. Paris: L’Harmattan, 2012, pp. 87–104.
—. The Show Must Go On, La Chanson populaire en Grande-Bretagne pendant la Grande Guerre. Paris: L’Harmattan, 2012.
Pankhurst, Sylvia. The Home Front, a Mirror to Life in England during the World War. London: Hutchinson, 1932.
Roberts, Robert. A Ragged Schooling: Growing Up in the Classic Slum. Londres: Fontana, 1978.
Robertshaw, Andrew. “Irrepressible Chirpy Cockney Chappies? Humour as an Aid to Survival.” Journal of European Studies 31 (2001): 277–87.
Rothstein, Andrew. The Soldiers’ Strikes of 1919. London: Pluto Press, 1985.
Editor information
Copyright information
© 2015 Clémentine Tholas-Disset and Karen A. Ritzenhoff
About this chapter
Cite this chapter
Mullen, J. (2015). “You Can’t Help Laughing, Can You?” Humor and Symbolic Empowerment in British Music Hall Song during the Great War. In: Tholas-Disset, C., Ritzenhoff, K.A. (eds) Humor, Entertainment, and Popular Culture during World War I. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137436436_12
Download citation
DOI: https://doi.org/10.1057/9781137436436_12
Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-349-49662-4
Online ISBN: 978-1-137-43643-6
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)