Abstract
This chapter can only offer some hints on the cultural background and the perception of pain in Late Imperial China, and will limit its scope to an analysis of the main terms used for physical suffering and pain, presenting some examples in order to better understand how pain is represented, described and located in the collective imagination.1 It will clearly appear that physical pain was understood not only as a physical phenomenon, but also as involving the whole body-mind-he art system. Moral suffering was also related to the body. Cognitive factors involved the roles of values in the emotional process and in the evaluation and perception of bodily sensations. This meant that psychological and cultural factors were fundamental even in physical perceptions. Thus, the specific characters of a culture — intellectual means, categories, symbols, imagery and so on — concurred with the representation and the consciousness of pain.
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Notes
Few studies have been done on this subject, with the exception of the valuable anthropological essays on contemporary China by Arthur Kleinman, such as Social Origins of Distress and Disease: Depression and Neurasthenia in Modern China (New Haven: Yale University Press, 1986)
See, for the West, Roselyne Rey Histoire de la douleur (Paris: Editions La Découverte, 1993).
Michael Nylan, ‘On the Politics of Pleasure’, Asia Major, 14(1) (2001): 73–124
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© 2014 Paolo Santangelo
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Santangelo, P. (2014). The Perception of Pain in Late Imperial China. In: Boddice, R. (eds) Pain and Emotion in Modern History. Palgrave Studies in the History of Emotions. Palgrave Macmillan, London. https://doi.org/10.1057/9781137372437_3
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DOI: https://doi.org/10.1057/9781137372437_3
Publisher Name: Palgrave Macmillan, London
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