Abstract
It is undeniable that there is a greater awareness now of animated documentaries than there was twenty years ago. Hybridised forms of animation and documentary were made prior to the 1990s, and some may argue that animated documentaries have been around since the earliest days of cinema, but it is only over the past two decades that animated documentary has claimed a place, albeit a relatively low profile one, in the documentary canon. While most animated documentaries continue to be made in the short-film format, and screened either at festivals or occasionally on television, this increased visibility has been aided by mainstream cinematic feature film releases such as Waltz with Bashir (Ari Folman 2008) and Chicago 10 (Brett Morgen 2007) and the trailblazing use of digital animation in the BBC’s 1999 prehistoric natural history series Walking with Dinosaurs.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Similar content being viewed by others
References
Cavalier, S. (2011) The World History of Animation (London: Aurum Press).
Chapman, J. (2009) Issues in Contemporary Documentary (Cambridge, UK: Polity).
Cubitt, S. (2005) EcoMedia (Amsterdam and New York, Rodopi).
DelGaudio, S. (1997) ‘If Truth Be Told, Can ‘toons Tell It?’ Documentary and Animation’, Film History, 9(2), 189–199.
Furniss, M. (1998) Art in Motion: Animation Aesthetics (London: John Libbey).
Grierson, J. (1933) ‘The Documentary Producer’, Cinema Quarterly, 2(1), 7–9.
Honess Roe, A. (2011) ‘Absence, Excess and Epistemological Expansion: Towards a Framework for the Study of Animated Documentary’, Animation: An Interdisciplinary Journal, 6(3), 215–231.
Honess Roe, A. (2013) Animated Documentary (Basingstoke: Palgrave Macmillan).
Kershaw, B. (2007) Theatre Ecology (Cambridge: Cambridge University Press).
Lant, A. (2006) ‘Women’s Independent Cinema: The Case of Leeds Animation Workshop’, in L.D. Friedman (ed.), Fires were Started: British Cinema and Thatcherism (London, New York: Wallflower Press), pp. 159–181.
Moore, S. (2011) ‘Animating Unique Brain States’, Animation Studies Online Journal, 6, accessed 22 October 2013 at: http://journal.animationstudies.org/category/volume-6/samantha-moore-animating-unique-brain-states/
Nichols, B. (1991) Representing Reality: Issues and Concepts in Documentary (Bloomington: Indiana University Press).
Nichols, B. (1994) Blurred Boundaries: Questions of Meaning in Contemporary Culture (Bloomington: Indiana University Press).
Nichols, B. (2001) Introduction to Documentary (Bloomington: Indiana University Press).
Nichols, B. (2010) Introduction to Documentary, 2nd edn (Bloomington: Indiana University Press).
Patrick, E. (2004) ‘Representing Reality: Structural/Conceptual Design in Non-Fiction Animation’, Animac Magazine, 3, 36–47.
Rothwell, J. (2008) ‘Filmmakers and Their Subjects’, in T. Austin and W. de Jong (eds.), Rethinking Documentary: New Perspectives, New Practices (Maidenhead, UK: Open University Press), pp. 152–156.
Saunders, D. (2010) Documentary (London and New York: Routledge).
Scolari, C.A. (2012) ‘Media Ecology: Exploring the Metaphor to Expand the Theory’, Communication Theory, 22, 204–225.
Steele, J. (2011) ‘Power to the People: The Democratization of Film’, The Huffington Post, accessed 22 October 2013 at: http://www.huffingtonpost.com/jeff-steele/power-to-the-people-the-d_1_b_829303.html
Strøm, G. (2003) ‘The Animated Documentary’, Animation Journal, 11, 46–63.
Tarantini, T. (2011) ‘Pictures That Do Not Really Exist: Mitigating The Digital Crisis in Traditional Animation Production’, Animation Practice, Process & Production, 1(2), 249–271.
Ward, P. (2005) Documentary: The Margins of Reality (London, Wallflower).
Wells, P. (1997) ‘The Beautiful Village and the True Village: A Consideration of Animation and the Documentary Aesthetic’, in P. Wells (ed.) Art and Animation (London: Academy Editions), pp. 40–45.
Wells, P. (1998) Understanding Animation (London, New York: Routledge).
Winston, B. (1995) Claiming the Real: The Griersonian Documentary and Its Legitimations (London: British Film Institute).
Wood, A. (2012) ‘Where Codes Collide: The Emergent Ecology of Avatar’, Animation: An Interdisciplinary Journal, 7(3), 309–322.
Youngs, I. (2004) ‘Micro-budget Film Wows Cannes’, BBC, 18th May, accessed 23 October 2013 at: http://news.bbc.co.uk/1/hi/entertainment/3720455.stm
Editor information
Editors and Affiliations
Copyright information
© 2014 Annabelle Honess Roe
About this chapter
Cite this chapter
Roe, A.H. (2014). The Evolution of Animated Documentary. In: Nash, K., Hight, C., Summerhayes, C. (eds) New Documentary Ecologies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137310491_12
Download citation
DOI: https://doi.org/10.1057/9781137310491_12
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-45666-6
Online ISBN: 978-1-137-31049-1
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)