Abstract
Released in the UK as Zombie Flesh Eaters, Lucio Fulci’s Italian film Zombi 2 (1979) has continued to interest critics, filmmakers and fans with its rich display of set-pieces and citable spectacles. Aside from the more notorious gory moments, the film is also known for its underwater sequence of a zombie and shark in combat and the iconic grand finale of zombies slowly making their way across the bridge to New York, shuffling to the beat of Fabio Frizzi’s rising and repeating synthesiser score. Zombie Flesh Eaters has endured a long and chequered history, which included joining the UK’s video nasty list in October 1983. Since the film’s inception, a number of ‘cut’ and ‘uncut’ versions have been issued, and recently the uncut version was reproduced on DVD and Blu-ray by Blue Underground in October 2011 (as Zombie) and by Arrow Films in December 2012 (as Zombie Flesh Eaters). The generous ‘extras’ on these fresh releases feature the film’s niche-cult status and the growing fan base at conventions and screenings, fuelled by a self-reflexive nostalgia for the film’s B-movie origins and ‘video nasty’ credentials. Today, the internet also functions as a lens to both capture and reinvigorate the original source; the film as historical artefact resonates from the multiple screens of new technology.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
‘A Zombi 2 (AKA Zombie Flesh Eaters) Tribute’, uploaded 7 July 2009, Retrieved from http://www.youtube.com/watch?v=iMFhjcn3klA, accessed 15 July 2012.
Bishop, K. (2008) ‘The Sub-Subaltern Monster: Imperialist Hegemony and the Cinematic Voodoo Zombie’, The Journal of American Culture, 31 (2), 141–152.
Blackford, J. (February 2013) ‘Beauty and the Beasts’, Review of Arrow Films DVD release of Zombie Flesh Eaters, Sight and Sound, 23 (2), 118.
British Board of Film Classification website, Retrieved from http://www.bbfc.co.uk, accessed 13 December 2014.
Bunnell, C. (1984, 1996) ‘The Gothic: A Literary Genre’s Transition to Film’, in B.K. Grant (ed.) Planks of Reason: Essays on the Horror Film, Metuchen, New Jersey and London: Scarecrow Press.
Burgess, J. and Green, J. (2009) YouTube: Online Video and Participatory Culture, Cambridge: Polity Press.
Collins, J. (1995) Architectures of Excess: Cultural Life in the Information Age, New York and London: Routledge.
Egan, K. (2007) Trash or Treasure? Censorship and the Changing Meaning of the Video Nasties, Manchester: Manchester University Press.
Flint, D. (2009) Zombie Holocaust: How the Living Dead Devoured Popular Culture, London: Plexus Publishing Ltd.
Hilderbrand, L. (Fall 2007) ‘Where Cultural Memory and Copyright Converge’, Film Quarterly, 61 (1), 48–57.
Hubner, L. (2011) ‘Shifting Perceptions of Worth’, in L. Hubner (ed.) Valuing Films: Shifting Perceptions of Worth, Basingstoke and New York: Palgrave Macmillan.
‘Interrogation: SubStreaxn Studios’ (2 May 2012) on fan edit Zombie Rezombified, Retrieved from http://lioncorn.blogspot.co.uk/2012/05/intenogation-sub stream-studios_8524.html, accessed 15 July 2013.
Kermode, M. (2002) ‘The British Censors and Horror Cinema’, in S. Chibnall and J. Petley (eds.) British Horror Cinema: Popular British Cinema, Abingdon and New York: Routledge.
Lapper, C. (2005) ‘Back from the Dead’, Interview with Craig Lapper, Retrieved from http://www.slasherama.com/features/zombie.HTML, accessed 29 October 2011.
Martin, J. (1997) The Seduction of the Gullible: The Curious History of the British ‘Video Nasties’ Phenomenon, Nottingham and Rome: Procrustes Press.
McAllister, E. (2012) ‘Slaves, Cannibals, and Infected Hyper-Whites: The Race and Religion of Zombies’, Anthropological Quarterly, 85 (2), 457–486.
Melon Farmers, Retrieved from http://www.melonfarmers.co.uk/hitsz.htm, accessed 13 December 2013.
Movie-Censorship.com, Retrieved from http://www.movie-censorship.com/report.php?ID=364273, accessed 13 December 2013.
Mulvey, L. (2006) Death 24x a Second: Stillness and the Moving Image, London: Reaktion Books.
Petley, J. (2011) Film and Video Censorship inModern Britain, Edinburgh: Edinburgh University Press.
Phillips, F. (2012) “The Star Wars Franchise, Fan Edits, and Lucasfilm”, in F. Coppa and J.L. Russo (eds.) ‘Fan/Remix Video’, special issue, Transformative Works and Cultures, 9, Retrieved from http://journal.transformativeworks.org/index.php/twc/article/view/385/260, accessed 16 August 2013.
Russell, J. (2005) Book of the Dead: The Complete History of Zombie Cinema, Godalming, UK: FAB Press.
‘The Video Nasty Project: Zombie Flesh Eaters’, Retrieved from http://videonastyproject.blogspot.co.uk/2008/11/zombie-flesh-eaters.html, accessed 21 January 2013.
Twohy, M. (October 2008) From Voodoo to Viruses: The Evolution of the Zombie in Twentieth Century Popular Culture, MPhil Thesis, Trinity College Dublin, Ireland, Retrieved from www.moshspace.com/theses/zombie_thesis.pdf, accessed 21 January 2013.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Copyright information
© 2015 Laura Hubner
About this chapter
Cite this chapter
Hubner, L. (2015). Archiving Gore: Who Owns Zombie Flesh Eaters?. In: Hubner, L., Leaning, M., Manning, P. (eds) The Zombie Renaissance in Popular Culture. Palgrave Macmillan, London. https://doi.org/10.1057/9781137276506_4
Download citation
DOI: https://doi.org/10.1057/9781137276506_4
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-349-44667-4
Online ISBN: 978-1-137-27650-6
eBook Packages: Palgrave Media & Culture CollectionLiterature, Cultural and Media Studies (R0)