Abstract
To fugitively explore is to track irresistible and elusive subject matters, to journey the undercurrents of semiotic streams, not in the interest of absolute capture, but to balance on a nodal of understanding, where affective forces significantly meet, until we move off. Afterwards the noodling resumes, and we improvise on the memories generated, negotiate past, present, and future, navigate repetitions and differences, until we find ourselves lingering felicitously on the indeterminate edge, rushing nowhere in the capricious winds of inevitable change, we go. And along with us go the traces of our journeys, reverberating with the streams of our performances.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Works Cited
Coleridge, Samuel Taylor. 1851. Specimens of the Table Talk of Samuel Taylor Coleridge. London: J. Murray.
Nietzsche, Friedrich. 1999. The Birth of Tragedy. Trans. Ronald Speirs. Cambridge: Cambridge University Press.
Reynolds, Byran. 2006. Transversal Enterprises in the Drama of Shakespeare and his Contemporaries: Fugitive Explorations. Basinstoke: Palgrave Macmillan.
Shakespeare, William. 2009. Hamlet, ed. John Dover Wilson. Cambridge: Cambridge University Press.
Author information
Authors and Affiliations
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Reynolds, B. (2017). Noodling the Nodals, Nodal Hamlet: Difference and Repetition, Extreme Performances, Remembering to Forget. In: Intermedial Theater. Palgrave Studies in Performance and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-50838-6_2
Download citation
DOI: https://doi.org/10.1057/978-1-137-50838-6_2
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-50837-9
Online ISBN: 978-1-137-50838-6
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)