Abstract
Hogue argues that Florida authors employ the Gothic mode to examine the long history of trauma and loss shadowing the state’s sunny public image. She examines Francis Parkman’s Pioneers of France in the New World, Lafcadio Hearn’s ‘To the Fountain of Youth,’ Peter Matthiessen’s Killing Mister Watson, Karen Russell’s Swamplandia!, and Jeff VanderMeer’s Annihilation, exploring how these works patrol the borders between civilization and savagery, known and unknown, and life and death, finding in Florida monstrous Others mirroring darkness thrown into sharp relief by the bright Florida sun.
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Bibliography
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Further Reading
Glassman, S., & O’Sullivan, M. (Eds.). (1997). Florida Noir: Crime fiction and film in the Sunshine State. Bowling Green: Bowling Green State University Popular Press.
Hurston, Z. N. (1995). Seraph on the Suwanee. Zora Neale Hurston: Novels and stories (pp. 597–920). New York: Library of American.
Matthiessen, P. (1999). Bone by bone. New York: Random House.
Matthiessen, P. (1998). Lost Man’s river. New York: Vintage.
O’Sullivan, M., & Lane, J. C. (Eds.). (1991). The Florida reader: Visions of paradise from 1530 to the present. Sarasota: Pineapple Press.
VanderMeer, J. (2014). Acceptance. New York: Farrar, Straus, and Giroux.
VanderMeer, J. (2014). Authority. New York: Farrar, Straus, and Giroux.
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Hogue, B. (2016). Florida Gothic: Shadows in the Sunshine State. In: Castillo Street, S., Crow, C. (eds) The Palgrave Handbook of the Southern Gothic. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-47774-3_12
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