Skip to main content

The Ideological Purpose of Torture: Artur London’s Nightmare of Reality in L’Aveu/The Confession (Costa-Gavras, 1970)

  • Chapter
  • First Online:
Screening the Tortured Body
  • 349 Accesses

Abstract

In this analysis of Costa-Gavras’ L’Aveu I explain how an individual can be reduced to a mere cipher, a nothing, not just through physical torture but through the rhetoric implemented to maintain totalitarian governance. Indeed, we discover how torture is an integral part of ideological systems that seek total domination. Hannah Arendt’s The Origins of Totalitarianism is a key text to my discussion of the function of torture and I use it to open up my exploration of Artur London’s account of his ordeal during the Prague trials of the early 1950s.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Works Cited

  • Arendt, Hannah (1973) The Origins of Totalitarianism, New York, Harcourt (originally printed: London, Secker and Warburg, 1951).

    Google Scholar 

  • Arendt, Hannah (1963) Eichmann in Jerusalem: A Report on the Banality of Evil, London, Faber and Faber.

    Google Scholar 

  • Grelier, Robert (1970) ‘Entretien avec Costa-Gavras, Jorge Semprun et Artur London, L’Aveu’, Image et Son, No. 240, June/July, 101–111.

    Google Scholar 

  • Hayward, Susan (2004) Simone Signoret: The Star as Cultural Sign, New York and London, Continuum Press.

    Google Scholar 

  • Levinson, Julian (2004) ‘The Maimed Body and the Tortured Soul: Holocaust Survivors in American Film’, The Yale Journal of Criticism, Vol. 17, No. 1, 141–160.

    Article  Google Scholar 

  • London, Artur (1968) L’Aveu, Paris, Gallimard.

    Google Scholar 

  • Montserrat, Joëlle (1983) Yves Montand, Paris, Editions PAC.

    Google Scholar 

  • Oren, Morde Khai (1960) Prisonnier politique à, Paris, René Julliard.

    Google Scholar 

  • Poulle, François (1985) ‘Une descente aux enfers: L’Aveu’, CinémAction, No. 33 (special issue on Costa-Gavras), 59–61.

    Google Scholar 

  • Tsao, Roy T. (2004) ‘Arendt and the Modern State’s Variation on Hegel in The Origins of Totalitarianism’, The Review of Politics, Vol. 66, No. 1, 105–136.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Copyright information

© 2016 The Author(s)

About this chapter

Cite this chapter

Hayward, S. (2016). The Ideological Purpose of Torture: Artur London’s Nightmare of Reality in L’Aveu/The Confession (Costa-Gavras, 1970). In: de Valk, M. (eds) Screening the Tortured Body. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-39918-2_7

Download citation

Publish with us

Policies and ethics