Abstract
Contemporary China, the largest construction site in the world, is the centre of production of architectural ‘vessels’ that are compacted with technical and scientific knowledge. Nevertheless, traditional wisdom and personal cultivation is often neglected in this process of creating architecture. This paper makes a connection between the Chinese ideogram of 道 (dao = way), with the Greek term of φρόνησις (phronesis = practical wisdom), in the context of architecture. We argue that both terms bring forth the importance of ethics and practical wisdom in the making of architecture, as a process of cultivation. This argument is discussed through two case studies: a historical Chinese garden (Sima Guang’s ‘Garden of Solitary Enjoyment’), as a manifestation of Dao, and an educational situation from a contemporary architectural design studio in a school of architecture, as a manifestation of phronēsis. Both these diverse examples offer a possibility to see architecture as the creation of ‘vessels for life’ where ‘vessel’ and ‘life’ are inseparable.
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Notes
We distinguish the Confucian Dao from the Daoist Dao. Whilst both schools consider Dao as a spontaneous ongoing process, the Daoist Dao is mainly envisaged as being self-oriented—one follows certain rituals to pursue individual longevity or spiritual freedom. This self-oriented approach to the Daoist Dao is not incongruent with that of the Confucian Dao for which a social dimension is indispensable.
This term ‘world’ as used by Hall and Ames (1987) does not refer to the empirical world, but is akin to their interpretation of tian or Heaven (207), which they read not as a preexisting principle which gives birth to and nurtures a world independent of itself. Tian is rather a general designation for the phenomenal world as it emerges of its own accord. Hall and Ames consider that tian, or the phenomenal world and cultivating the self have a correlativity, as evidenced in Mencuius’ assertion, He ‘who realizes his natural tendency realizes tian’. (Mencius, 50 7A 1) We follow their use of this term ‘world’ in our discussion of cultivating the self.
For discussion on Confucian scholars’ garden as a practice of dwelling, see Zhuang (2012).
Cf. Hall and Ames (1987, 274–283).
For similarities between Confucius and Aristotle on this, see Kupperman (1999, 153–155).
Also see Cheng (1987, 51–70).
The names of the participants have been changed in order to secure their privacy. The key study is part of a wider doctorate study about ethics and architectural design that was accomplished through participant observation (Koutsoumpos 2009).
We should also note an asymmetry between the two case studies. The fact that it is rather possible to justify that Sima Guang lived a virtuous life, while we cannot justify Mark’s future moral stance. The historical perspective in the one case allows an overview that is not possible in the level of the contemporary design studio.
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Koutsoumpos, L., Zhuang, Y. Phronēsis and Dao: Cultivating Ethics and Wisdom in the Process of Making Architecture. Fudan J. Hum. Soc. Sci. 9, 213–228 (2016). https://doi.org/10.1007/s40647-015-0113-8
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DOI: https://doi.org/10.1007/s40647-015-0113-8