Abstract
Numerous studies have evidenced the relationship between musical rhythm and language performances, derived from temporal acoustic signal processing. This relationship might be affected by different language experiences. Receptive and expressive vocabulary knowledge, phonological awareness, and musical rhythm perception and production were examined in Chinese-speaking (n = 112) and English-speaking preschoolers (n = 73), by using standardized or self-designed linguistic assessments, and musical rhythm discrimination and tapping tests. Generally,results evidenced a cross-language association between musical rhythm performance and vocabulary knowledge in preschoolers. Significant associations were found between receptive vocabulary knowledge and musical rhythm perception as well as production skills in Chinese-speaking pre-schoolers; while Chinese expressive vocabulary knowledge was only associated with musical rhythm production but not perception. As for the English-speaking fellows, both receptive and expressive vocabulary knowledge showed significant association with musical rhythm perception and production skills. Additionally, hierarchical regression analyses were implemented to explore the contribution of phonological awareness and musical rhythm performance towards vocabulary knowledge. Results exhibited that musical rhythm production skills effectively predicted the expressive vocabulary knowledge in Chinese-speaking preschoolers, whilst musical rhythm perception skills predicted the receptive vocabulary knowledge in English-speaking fellows. To note, none of any musical rhythm significantly predicted Chinese receptive vocabulary knowledge and English expressive vocabulary knowledge, suggesting a possible mediation role of phonological awareness to rhythm-vocabulary relationship. Our findings provide cross-language evidence for the robustness of the rhythm-language relationship and possible predictive effect between musical rhythm and specific vocabulary knowledge.
Resumen
Numerosos estudios han evidenciado la relación entre el ritmo musical y las interpretaciones lingüísticas, derivadas del procesamiento temporal de señales acústicas. Esta relación puede verse afectada por diferentes experiencias lingüísticas. Se examinó el conocimiento de vocabulario receptivo y expresivo, la conciencia fonológica y la percepción y producción del ritmo musical en niños de edad preescolar de habla china (n = 112) y de habla inglesa (n = 73), mediante el uso de evaluaciones lingüísticas estandarizadas o diseñadas por ellos mismos, y pruebas de discriminación de ritmo musical y golpeteos. En general, los resultados evidenciaron una asociación entre idiomas entre la interpretación del ritmo musical y el conocimiento del vocabulario en niños de edad preescolar. Se encontraron asociaciones significativas entre el conocimiento del vocabulario receptivo y la percepción del ritmo musical, así como las habilidades de producción en preescolares de habla china; mientras que el conocimiento del vocabulario expresivo chino solo se asoció con la producción del ritmo musical pero no con la percepción. En cuanto a los de habla inglesa, tanto el conocimiento del vocabulario receptivo como el expresivo mostraron una asociación significativa con la percepción del ritmo musical y las habilidades de producción. Además, se implementaron análisis de regresión jerárquica para explorar la contribución de la conciencia fonológica y la interpretación del ritmo musical al conocimiento del vocabulario. Los resultados mostraron que las habilidades de producción del ritmo musical predijeron efectivamente el conocimiento del vocabulario expresivo en niños de edad preescolar de habla china, mientras que las habilidades de percepción del ritmo musical predijeron el conocimiento del vocabulario receptivo en los niños de habla inglesa. Cabe señalar que ninguno de los ritmos musicales predijo significativamente el conocimiento del vocabulario receptivo chino y el conocimiento del vocabulario expresivo en inglés, lo que sugiere un posible papel de mediación de la conciencia fonológica en la relación ritmo-vocabulario. Nuestros hallazgos proporcionan evidencia entre idiomas de la solidez de la relación ritmo-lenguaje y el posible efecto predictivo entre el ritmo musical y los conocimientos de vocabulario específico.
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Data Availability
The data that support the findings of this study are available from the corresponding authors, Yu-Ling Chen and Hsiao-Lan Sharon Wang, upon reasonable request.
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Acknowledgements
The authors acknowledge the generous support from the Ministry of Science and Technology, Taiwan [grant number MOST 106-2628-H-003-002-MY3]. We also acknowledge the children and caregivers for their participation, so do the research teams in both Taiwan and the United States for their assistance. Special thanks go to Miss Ya-Hui Chang, Leticia Castro, Betty Steelman, and Morgan Taylor for her help in data collection and analysis.
Funding
This work was supported by the Ministry of Science and Technology, Taiwan (Grant Number MOST 106-2628-H-003 -002 -MY3).
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The study was designed by H-LSW. Material preparation, data collection and analysis were performed by Y-HL, Y-LC, and H-LSW. The first draft of the manuscript was written by C-HT and then revised by Y-LC and H-LSW. All authors read and approved the final manuscript.
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All procedure performed in the current study were approved by the Centre of Research Ethics at National Taiwan Normal University, and the Protection of Human Subjects Committee at the Southwestern Oklahoma State University for the participants in Taiwan and United States, respectively.
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Tsao, CH., Lai, YH., Chen, YL. et al. Musical Rhythm Perception and Production, Phonological Awareness, and Vocabulary Knowledge in Preschoolers: A Cross-Language Study. IJEC 55, 27–46 (2023). https://doi.org/10.1007/s13158-023-00355-0
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DOI: https://doi.org/10.1007/s13158-023-00355-0