Abstract
The style of the contemporary German artist Anselm Kiefer is highly innovative and unconventional and is characterized by the use of diverse materials that he selects and combines according to the emotions that they stir in him. The conservation and preservation of works by Kiefer are particularly difficult tasks because of the heterogeneity and, in some cases, the incompatibility of the materials used; therefore, a thorough characterization is crucial before any intervention is considered. In this paper, we report the results of an investigation on a fragment from a multimaterial work and on samples from the paintings Bohemia Lies by the Sea and Die Größe Fracht. The large fragment was cut by the artist himself from a work in progress and is considered destitute of any artistic value; therefore, it was possible to sample it extensively. This fragment and the samples from the Die Größe Fracht and Bohemia Lies by the Sea paintings were analyzed by ultraviolet (UV) fluorescence imaging, fiber optic reflectance spectroscopy, Fourier transform infrared spectroscopy, nuclear magnetic resonance, Raman spectroscopy, X-ray diffraction, gas chromatography-mass spectrometry, and pyrolysis gas chromatography-mass spectrometry. This multitechnique approach allowed us to fully characterize and identify pigments, dyes, and organic components that reflect the diversity of the materials typically chosen by the artist. The results are evaluated in the context of the interview that Antonio Rava had with the Anselm Kiefer in 2000.
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Acknowledgments
The authors wish to thank the Regione Toscana (Tuscany, Italy) for financing the Preventive Conservation of Contemporary Art (COPAC 2011–2013) Project in the framework of PAR-FAS Regional Project (2007-13).
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Bartolozzi, G., Picollo, M., Marchiafava, V. et al. Anselm Kiefer: a study of his artistic materials. Archaeol Anthropol Sci 8, 563–574 (2016). https://doi.org/10.1007/s12520-015-0238-3
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DOI: https://doi.org/10.1007/s12520-015-0238-3