Abstract
This ethnographic study explores the co-influences between urban spaces and ethnic hierarchies in the pop-cultural creations of Russian-speaking immigrants of Generation 1.5 in Israel. The theoretical analysis draws on the concepts of orientalism, ethnicity and spatiality in the context of migration. The findings suggest that physical place influences intergroup/ethnic relations that in turn reshape the symbolic meaning of urban spaces. Young immigrant ethnic entrepreneurs have invented the new cultural trope of Mizrahi or Mediterranean Russianness, expressed in various venues of pop culture, in which they are involved as cultural producers: video clips, festivals, music and dance performances. It is a symbolic expression of Hitmazrehut — the Easternization process experienced by them in Israel’s geographic and social periphery.
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Notes
Race and ethnicity are related concepts. Ethnicity expresses cultural identity, while race in popular vernacular has more phenotype-genetic-biologic connotations. I see both concepts as interconnected. Zionism deems all Jews as descendants of ancient Israelites or Hebrews, therefore belonging to the same race. However, in reality, different groups of non-European Jews — those of Mizrahi and Ethiopian origin — encountered strong expressions of racism after their immigration to Israel. This article is about ethnic identity in the cultural field of music and popular culture.
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Prashizky, A. Connecting Ethnicity and Space: the New Russian-Mediterranean Pop Culture in Israel’s Periphery. Int. Migration & Integration 23, 125–140 (2022). https://doi.org/10.1007/s12134-021-00835-z
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DOI: https://doi.org/10.1007/s12134-021-00835-z