Abstract
Both, human appreciation of music and musical genres transcend time and space. The universality of musical genres and associated musical scales is intimately linked to the physics of sound, and the special characteristics of human acoustic sensitivity. In this series of articles, we examine the science underlying the development of the heptatonic scale, one of the most prevalent scales of the modern musical genres, both western and Indian.
Similar content being viewed by others
References
R E Berg and D G Stork, The Physics of Sound, Prentice Hall, New Jersey, 1995.
D Benson, Music: A Mathematical Offering, Cambridge University Press, 2006.
W C Elmore and N A Heald, Physics of Waves, McGraw-Hill, 1969.
K Z Gill and D Purves, A Biological Rationale for Musical Scales, PLOS One, 4(12), e5144, 2009.
E G Schellenberg and S E Trehub, Frequency Ratios and the Perception of Tone Patterns, Psychonomic Bulletin & Review, 1(2), pp.191–201, 1994.
Author information
Authors and Affiliations
Corresponding author
Additional information
Sushan Konar works on stellar compact objects. She also writes popular science articles and maintains a weekly astrophysics-related blog called Monday Musings.
Rights and permissions
About this article
Cite this article
Konar, S. The Sounds of Music: Science of Musical Scales. Reson 24, 891–900 (2019). https://doi.org/10.1007/s12045-019-0851-z
Published:
Issue Date:
DOI: https://doi.org/10.1007/s12045-019-0851-z