Abstract
Artistic and historical examination of high-quality glazed terracotta sculptures displayed in various Portuguese museums point to their production in della Robbia workshop of Florence (Italy). A multitechnique analytical approach is applied for the first time to these sculptures, aiming to confirm their origin. Materials were analyzed using Instrumental Neutron Activation Analysis, Prompt Gamma Activation Analysis and X-ray Diffraction. The compositional results are similar to other della Robbia sculptures, suggesting a common origin for the raw material that was identified as carbonate rich marine origin marly clay. The applied firing temperatures was proved to be around 900 °C. The differences found within each sculpture are explained by the production technique of assembling separate parts to produce these huge sculptures, and the clay pit heterogeneity.
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Acknowledgements
C2TN/IST authors gratefully acknowledge the Fundação para a Ciência e Tecnologia (FCT) support through the UID/Multi/04349/2013 project and to the staff of the Portuguese Research Reactor (RPI) of CTN/IST for their assistance with the neutron irradiations. Special thanks also to the Portuguese FCT research funded in the frame of the project PTDC/HIS/HEC/116742/2010, and to the CHARISMA funded (Grant Agreement no. 228330) project at the Budapest Neutron Center.
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Dias, M.I., Prudêncio, M.I., Kasztovszky, Z. et al. Nuclear techniques applied to provenance and technological studies of Renaissance majolica roundels from Portuguese museums attributed to della Robbia Italian workshop. J Radioanal Nucl Chem 312, 205–219 (2017). https://doi.org/10.1007/s10967-017-5235-9
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DOI: https://doi.org/10.1007/s10967-017-5235-9