Skip to main content

Advertisement

Log in

Relationship between interhemispheric inhibition and bimanual coordination: absence of instrument specificity on motor performance in professional musicians

  • Research Article
  • Published:
Experimental Brain Research Aims and scope Submit manuscript

Abstract

Functional reorganization in a musician’s brain has long been considered strong evidence of experience-dependent neuroplasticity. Highly coordinated bimanual movements require abundant communication between bilateral hemispheres. Interhemispheric inhibition (IHI) is the communication between bilateral primary motor cortices, and there is beginning evidence to suggest that IHI is modified according to instrument type, possibly due to instrument-dependent motor training. However, it is unknown whether IHI adaptations are associated with non-musical bimanual tasks that resemble specific musical instruments. Therefore, we aimed to investigate the relationship between IHI and bimanual coordination in keyboard players compared with string players. Bimanual coordination was measured by a force tracking task, categorized as symmetric and asymmetric conditions. Ipsilateral silent period (iSP) was obtained using transcranial magnetic stimulation to index IHI in both left (L) and right (R) hemispheres. Canonical correlation analysis was performed to identify linear relationships between the IHI and bimanual coordination outcomes. There was no difference in bimanual coordination outcomes between keyboard and string players. Increased iSP from the L to R hemisphere was found in string players compared to keyboard players. There appeared to be different instrument-dependent relationships between IHI and bimanual coordination, regardless of symmetric or asymmetric task. Laboratory motor assessments resembling specific features of musical instruments (symmetric vs. asymmetric hand use) did not distinctly characterize bimanual motor skills between keyboard and string players. The relationships between IHI and bimanual coordination in these two instrument types were independent of task condition. Instrument-dependent neuroplasticity may be evident only within the context of musical instrument playing.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1
Fig. 2
Fig. 3

Similar content being viewed by others

Data availability

De-identified data are accessible to the public upon reasonable request.

Abbreviations

ANOVA:

Analysis of variance

APB:

Abductor pollicis brevis

CCA:

Canonical correlation analysis

EMG:

Electromyographic signal

FTT:

Force tracking task

IHI:

Interhemispheric inhibition

IQR:

Interquartile range

iSP:

Ipsilateral silent period

L:

Left

LQ:

Laterality quotients

M1:

Primary motor cortex

MVC:

Maximal voluntary contraction

R:

Right

RMSE:

Root mean square error

RMT:

Resting motor threshold

TMS:

Transcranial magnetic stimulation

References

Download references

Funding

This work was supported by the National Endowment for the Arts [17-3800-7002].

Author information

Authors and Affiliations

Authors

Contributions

YLK: funding acquisition, conceptualization, data acquisition, data analysis and interpretation, manuscript drafting and revision. BEF: funding acquisition, conceptualization, data analysis and interpretation, manuscript review, editing and revision.

Corresponding author

Correspondence to Yi-Ling Kuo.

Ethics declarations

Conflict of interest

None.

Additional information

Communicated by Francesca Frassinetti.

Publisher's Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Rights and permissions

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Kuo, YL., Fisher, B.E. Relationship between interhemispheric inhibition and bimanual coordination: absence of instrument specificity on motor performance in professional musicians. Exp Brain Res 238, 2921–2930 (2020). https://doi.org/10.1007/s00221-020-05951-3

Download citation

  • Received:

  • Accepted:

  • Published:

  • Issue Date:

  • DOI: https://doi.org/10.1007/s00221-020-05951-3

Keywords

Navigation