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Why Must the Classics Be “Confucian”? Some Reflections on Reading the “Confucian” Classics in the Contemporary World

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Cross-Cultural Encounters in Modern and Premodern China

Part of the book series: Chinese Culture ((CHINESE,volume 3))

Abstract

This chapter examines the potential interpretative difficulties that may happen when applying the rubric of “Confucian” in reading the Classics. It argues that early anecdotes about Confucian authorship and editorship of the Classics are untenable. However, Confucius’ roles limited the interpretative possibilities that the “Confucian” Classics could only be interpreted in moral and political ways, as can be seen in pre-modern commentarial traditions. Centering on the “Guanju,” this chapter also argues that the diversity of rujia or Confucianism urges us to ask which Confucian interpretation is better than others. The Confucian orthodoxy in pre-modern China, however, was more a result of the power dynamics between each historical actor than of the interpretative accuracy. In addition, the interpretative hegemony of Confucianism also prevents us from appreciating other interpretations that are beyond the Confucian interpretative sphere. In the contemporary world, when the studies of the Classics are no longer relevant to politics and one’s officialdom, we have no reason to assert that those non- “Confucian” interpretations are inferior to any Confucian interpretations.

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Notes

  1. 1.

    As Lionel M. Jensen maintains, the term “Confucianism” is largely a Western invention and should not be equivalent to the Chinese term rujia, “[Confucianism] supposedly representing what is registered by the complication of terms rujia (ru family), rujiao (ru teaching), ruxue (ru learning), and rushe (the ru)…. I proposed that we resist the reflex to treat these entities, Confucianism and ru, as equivalent and consider rather that what we know of Confucius is not what the ancient Chinese knew as Kongzi…. I suggest instead that Confucius assumed his present familiar features as the results of a prolonged, deliberate process of manufacture in which European intellectuals took a leading role. Our Confucius is a product fashioned over several centuries by many hands, ecclesiastical and lay, Western and Chinese” (Jensen, 1997: 5).

  2. 2.

    Unless otherwise indicated, all translations in this chapter are my own.

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Correspondence to Hin Ming Frankie Chik .

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Chik, H.M.F. (2022). Why Must the Classics Be “Confucian”? Some Reflections on Reading the “Confucian” Classics in the Contemporary World. In: Chan, K.K.Y., Garfield Lau, C.S. (eds) Cross-Cultural Encounters in Modern and Premodern China. Chinese Culture, vol 3. Springer, Singapore. https://doi.org/10.1007/978-981-16-8375-6_1

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