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Dialogue as a Subjective Process: Impacts on Learning and Development in Schools

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Theory of Subjectivity from a Cultural-Historical Standpoint

Part of the book series: Perspectives in Cultural-Historical Research ((PCHR,volume 9))

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Abstract

At the end of the twentieth century, theoretical and methodological issues produced impasses to understand the complexity of human phenomena. Conceptions regarding linguistic-discursive aspects, became center stage, eliminating the role of individuals in their teaching and learning experiences in the context of classrooms, excluding the productive aspect of such processes. These dynamic phenomena were represented with a focus on the instrumental objectivity of “content delivery,” without considering individuals’ production of those same contents. Criticizing these approaches, this chapter addresses González Rey’s Theory of Subjectivity’s heuristic contributions, in which the subject’s active and complex role in his/her learning and development is re-assumed, both understood as subjective processes constituted through a continuous symbolic-emotional production. In this way, they enable the comprehension of complexities regarding curiosity, interest, and imagination of those involved; communication and dialogue organization in these processes; and the transformations that take place in subjective developments throughout these movements. The concept of dialogue is the conductive thread of the textual organization and educational practices of a field study, which emphasizes the heuristic value of the Theory of Subjectivity for the understanding of these human processes.

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Notes

  1. 1.

    The concepts will be addressed and defined throughout the text. At this point we are interested in defining agent and subject. “The agent would be the individual …- or social group- located in the turn of events in the current field of their experiences; a person who makes everyday decisions, thinks, likes, or dislikes what happens to him, which … gives him participation in this course of events. In turn, the concept of subject represents that one which opens a path of subjectivity, which transcends the normative social space within which his experiences take place, exercising creative options in the course of such experiences, which may or may not be expressed through action” (González Rey & Mitjáns Martínez, 2017, p. 73).

  2. 2.

    The four examples in this chapter correspond to transcriptions of Vaz’s (2017) text, and appear in her dissertation in the respective following pages: FRAME 1, pag. 75; FRAME 2, pag. 96; FRAME 3, pag. 96; FRAME 4: pag. 97.

  3. 3.

    Individual subjectivity and social subjectivity are two different theoretical concepts that are mutually interrelated. “Social subjectivity represents the complex network of social subjective configurations within which all social performance takes place. These processes happen without the participants that share these social spaces being aware of them. Social subjectivity emerges as part of individual subjectivities in such a disguised way that it is impossible to infer directly from observed behaviors or explicit language” (González Rey, 2015, p. 13).

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Correspondence to Cristina M. Madeira-Coelho .

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Madeira-Coelho, C.M. (2021). Dialogue as a Subjective Process: Impacts on Learning and Development in Schools. In: Goulart, D.M., Martínez, A.M., Adams, M. (eds) Theory of Subjectivity from a Cultural-Historical Standpoint. Perspectives in Cultural-Historical Research, vol 9. Springer, Singapore. https://doi.org/10.1007/978-981-16-1417-0_11

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