Skip to main content

Where the (Moving) Sidewalk Ends: Images of Wasted Americana in the Pre-apocalyptic World

  • Chapter
  • First Online:
Ruin Porn and the Obsession with Decay

Abstract

Apocalyptic narratives focusing on urban wastelands have become ever-present in twenty first century media. Artists Stephen Crompton and Corey George capture images that evoke similar emotional tenor, drawing on the despair of a world where humanity’s impact on the landscape are in drawn-out states of death and reclamation by nature. While Crompton’s photo series The American Mall focuses on the slow decline of malls across America, George’s Alas, Babylon series details the casualties of the boom-and-bust cycles in the housing industry in Florida. Their photos bookend the same kinds of devastation seen in post-apocalyptic fiction, but also show America in a state of pre-apocalyptic decay. This chapter argues how the work of Crompton and George offers an additional intervention in understanding the widespread appeal of apocalyptic narratives.

The original version of this chapter was revised: Figure caption has been updated. The erratum to this chapter is available at https://doi.org/10.1007/978-3-319-93390-0_13

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 89.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Notes

  1. 1.

    Parts of Disney theme parks, like handrails, are repainted nightly to disguise the inevitable wear and tear of the thousands of guests that visit each day. According to Kendra Trahan (2005), “To keep a better than new look, Disney uses more than 20,000 gallons of paint each year. Disney’s specialists are masters at making new things look old and old things look new” (191). An art of artifice one might say.

  2. 2.

    Dawn of the Dead (1978) was largely shot in the Monroeville Mall, outside of Pittsburgh, Pennsylvania. The mall is still open (and thriving) and has become a destination for fans of the films (Porter 2015).

  3. 3.

    The Southwyck Mall was demolished in 2010.

  4. 4.

    Stephen’s The American Mall photo series began in 2011, following the conclusion of the production of his documentary short film, Mall Church. In Mall Church, he exposed a recurring pattern where churches opened inside dying Midwestern malls, occupying what had previously been retail spaces and operating alongside recognisable chain stores.

  5. 5.

    According to Zillow, this house, which was one of the show homes originally built to demonstrate to potential residents what they could own, was sold on March 24, 2016, for $254,000. On the current Google Map, the house is isolated from every other constructed part of the property.

References

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2018 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Firestone, A., Crompton, S., George, C. (2018). Where the (Moving) Sidewalk Ends: Images of Wasted Americana in the Pre-apocalyptic World. In: Lyons, S. (eds) Ruin Porn and the Obsession with Decay. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-93390-0_6

Download citation

Publish with us

Policies and ethics