Abstract
This chapter is an exploration of the writing of wounds in autobiographical and epistolary writing (both my own, and Fanny Burney’s letter to her sister regarding a mastectomy that was performed without anaesthetic), and will challenge the trope of writing-trauma-as-healing. By calling into question the desire to recuperate the unreliable, traumatised life-writing narrator through writing-as-healing, I will argue that writing trauma is not at the limits of language, and that writing the wound is possible through writing in fragments and with poetry, where gaps in memory/narrative are celebrated and performed rather than closed down. I will argue that the fear of the wound, the need to ‘heal’, to close over, to suture, to de-suppurate, is the fear of the hole, the gap, the void. That by continuing to write wounds, unreliable life-writing narrators remain open to multiplicity, to the complex state of being not-healed, changed and changeable, inside-out and outside-in, and I posit that writing wounds is writing a Derridean hymenography, which has the ability to celebrate and commemorate the between-space that is both the wound, and the story of the wound.
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Eades, Q. (2017). Queer Wounds: Writing Autobiography Past the Limits of Language. In: Rees, E. (eds) Talking Bodies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-63778-5_10
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