Abstract
This chapter explores ways to research and position the practice of cinematography and the figure of the cinematographer. Cinematography is a particular form of thinking and collaborative activity, and a specific form of praxis that combines visual ‘enskilment’ processes, aesthetic organisation and communities of practice culture. The chapter presents brief examples of cinematography research case studies under six thematic banners: text, technology, art form, process, culture, and document. The purpose of these themes is to underline how categories prioritise different qualities of research material, and that using practice-oriented interrogation may give visibility to evidence hitherto ignored. The author is a director-cinematographer and ethnographer, who draws on contemporary discussions of practice in anthropology; film production and pedagogy.
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Greenhalgh, C. (2018). Cinematography: Practice as Research, Research into Practice. In: Batty, C., Kerrigan, S. (eds) Screen Production Research. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-62837-0_9
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DOI: https://doi.org/10.1007/978-3-319-62837-0_9
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