Skip to main content

The Role of Theatre Venues in the Transformation of Barcelona

  • Chapter
  • First Online:
The Impact of Artists on Contemporary Urban Development in Europe

Part of the book series: GeoJournal Library ((GEJL,volume 123))

  • 702 Accesses

Abstract

The relationship between theaters and performing arts has been rather neglected in the study of cities’ evolution. In most cases, the theaters were initially located in the historical center or in relatively marginal albeit easily accessible areas. With the growth and expansion of the cities, however, these facilities followed different patterns compared to other cultural venues. In the case of Barcelona, the venues dedicated to the performing arts have had a similar evolution to its urban growth. From the historic center and the traditional Paral·lel Avenue, they were spread around by Cerdà’s Eixample as the city grew. In the 1980s this pattern changed. On the one hand some of the theaters have suffered a recentralization. On the other hand, the spaces dedicated to the performing arts, in a broad sense, have moved to other areas of the city. Artists have also been a decisive factor for the creation and evolution of theatres, especially in some districts such as Gràcia, el Raval or Montjuïc. Beyond the traditional cultural activities, these new theaters have and an important impact in the city generating economic synergies and intangible assets. First, they generate ancillary enterprises that produce services for performing arts in some non-central urban areas. Second, as magnets for spectators, these facilities create symbolic values with a beneficial effect on the regeneration of urban areas.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 89.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 119.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 119.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • ADETCA (Associació d’Empreses de Teatre de Catalunya). Statistics. Annual: 2008–2011, Seasonal 2011/12-2013/14. http://www.adetca.cat/c/stats.aspx. Accessed 30 Oct 2015.

  • Albertí, X., & Moliner, E. (2012). El Paral·lel 1894–1939. Barcelona: CCCB and Diputació de Barcelona.

    Google Scholar 

  • Aloy, G., Olaizola, E., & Ramon, A. (2011). Cartografia teatral de Barcelona. In G. Aloy, A. Ramon, & E. Olaizola (Eds.), Arxiu d’arquitectura teatral. Barcelona: ATe01.

    Google Scholar 

  • Bélanger, A. (2005). Montréal vernaculaire/Montréal spectaculaire: dialectique de l’imaginaire urbain. Sociologie et sociétés, 37(4), 13–34.

    Article  Google Scholar 

  • Bianchini, F., & Parkinson, M. (1993). Cultural policy and urban regeneration: The West European experience. Manchester: Manchester University Press.

    Google Scholar 

  • Bounds, A. M. (2007). Philadelphia’s avenue of the arts: The challenges of a cultural district iniative. In M. K. Smith (Ed.), Tourism, culture and regeneration (pp. 132–142). Cambridge, MA: CAB International.

    Google Scholar 

  • Department de Cultura. (2006–2013). Estadística d’Arts Escèniques. Estadística de sales de teatre, dansa i circ (Yearbooks 2006–2013). Barcelona: Generalitat de Catalunya.

    Google Scholar 

  • Dumas, Y., & Subercaseaux, M. I. (2011). Le quartier des spectacles de Montréal, au cœur du développement culturel québécois. In ICOMOS 17th General Assembly, 2011-11-27/2011-12-02, Paris. http://openarchive.icomos.org/1266. Accessed 30 Nov 2015.

  • Espinosa, A. D. (2011). El Modelo Barcelona de espacio público y diseño urbano. Efectos de los cambios del espacio sobre el Paralelo. Ph.D. Dissertation, Barcelona: Universitat de Barcelona. http://diposit.ub.edu/dspace/bitstream/2445/20552/1/deboraespinosatreballfinal001.pdf. Accessed 30 Nov 2015.

  • Ganau, J. (2007). El papel de la cultura en el cambio económico y la promoción de las ciudades. El caso de Philadelphia. Scripta Nova. Revista Electrónica de Geografía y Ciencias Sociales, XI, 245(61). http://www.ub.es/geocrit/sn/sn-24561.htm. Accessed 30 Nov 2015.

  • Harvie, J. (2009). Theatre and the city. Hampshire: Palgrave-McMillan.

    Book  Google Scholar 

  • Hughes, H. L. (1998). Theatre in London and the interrelationship with tourism. Tourism Management, 19(5), 445–452.

    Article  Google Scholar 

  • Katiya, Y. A. (2011). Creating Hegemony: Montreal’s cultural development policies and the rise of cultural actors as entrepreneurial political elites. Ph.D. Dissertation, Montréal: Concordia University. http://spectrum.library.concordia.ca/974099/

  • Landry, C. (2000). The creative city: A toolkit for urban innovators. London: Earthscan.

    Google Scholar 

  • Landry, C., Greene, L., Matarasso, F., & Bianchini, F. (1996). The art of regeneration: Urban renewal through cultural activity. Stroud: Comedia.

    Google Scholar 

  • Maitland, R. (2008). Conviviality and everyday life: The appeal of new areas of London for visitors. International Journal of Tourism Research, 10(1), 15–25.

    Article  Google Scholar 

  • Maitland, R. (2013). Backstage behaviour in the global city: Tourists and the search for the ‘real London’. Procedia. Social and Behavioral Sciences, 105, 12–19.

    Article  Google Scholar 

  • Makeham, P. (2005). Performing the city. Theatre Research International, 30(2), 150–160.

    Article  Google Scholar 

  • Moisand, J. (2009). Les publics du théâtre à Madrid et à Barcelone à la fin du XIXe siècle: problèmes de sources et de méthodes. Les travaux du CREC en ligne. Paris: Université Sorbonne Nouvelle. http://crec.univ-paris3.fr/questions.php. Accessed 10 June 2015.

  • Monaci, S. (2005). Il futuro nel museo. Come i nuovi media cambiano l’esperienza del pubblico. Milano: Guerini Studio.

    Google Scholar 

  • Murray, S. A. (2014). Bankside power station: Planning, politics and pollution. Ph.D. dissertation, Leicester: Centre for Urban History, University of Leicester. https://lra.le.ac.uk/handle/2381/31592. Accessed 10 June 2015.

  • Newman, P., & Smith, I. (2000). Cultural production, place and politics on the South Bank of the Thames. International Journal of Urban and Regional Research, 24(1), 9–24.

    Article  Google Scholar 

  • Paris, D., & Baert, T. (2011). Lille 2004 and the role of culture in the regeneration of Lille métropole. Town Planning Review, 82(1), 29–43.

    Article  Google Scholar 

  • Paül i Agustí, D. (2009). L’oferta cultural en les polítiques de màrqueting de les ciutats. Lleida: Universitat de Lleida. http://www.tdx.cat/TDX-1020109-153413. Accessed 10 June 2015.

  • Paül i Agustí, D. (2014). Del Manchester català a districte de la innovació de Barcelona. Els canvis simbòlics del barri de Poblenou de Barcelona. Scripta Nova. Revista electrónica de Gerografía y Ciencias Sociales, XVIII(493). http://www.ub.edu/geocrit/coloquio2014/Daniel%20Paul%20i%20Agusti.pdf. Accessed 14 April 2015.

  • Perrone, R. (2011). Espacio teatral y escenario urbano. Barcelona entre 1840 y 1923. Ph.D. Dissertation, Barcelona: Universitat Politècnica de Catalunya. http://www.tdx.cat/handle/10803/132096. Accessed 10 June 2015.

  • Quartier des spectacles. (2008). Projet pilote du plan lumière. http://www.quartierdesspectacles.com. Accessed 10 June 2015.

  • Ramon, A. (2011). El mapa teatral de Barcelona. Una revisió historiogràfica. Historiografia Barcelonina. Del mite a la comprensió. XII Congrés d’Història de Barcelona. Barcelona: Ajuntament de Barcelona, 1:13. http://w110.bcn.cat/ArxiuHistoric/Continguts/Documents/Fitxers/Comun10_Ramon.pdf. Accessed 10 June 2015.

  • Ramon, A., & Perrone, R. (2012). Teatres de Barcelona. Un recorregut urbà. Barcelona: Albertí Editor.

    Google Scholar 

  • Ramos, M. C., & Sanz, S. (2012). El teatro comunitario como estrategia de desarrollo social a nivel local. Miríada, 2(4), 141–157.

    Google Scholar 

  • Rius, J. (2008). Los barrios artísticos como base local de la cultura global. El caso del Raval de Barcelona. Revista Internacional de Sociología, 66(51), 179–205.

    Google Scholar 

  • Rius, J. (2014). Culture and authenticity in urban regeneration processes: Place branding in central Barcelona. Urban Studies, 51(14), 3026–3045.

    Article  Google Scholar 

  • Rosenberg, B., & Harburg, E. (1993). The Broadway musical: Collaboration in commerce and art. New York: New York University Press.

    Google Scholar 

  • Sacco, P., & Ferilli, G. (2006). Il distretto culturale evoluto nell’economia post industriale. http://www.iuav.it/Ricerca1/Dipartimen/dADI/Working-Pa/wp_04_2006.pdf. Accessed 10 Oct 2012.

  • Scott, A. J. (1997). The cultural economy of cities. International Journal of Urban and Regional Research, 21(2), 323–340.

    Article  Google Scholar 

  • Sobrequés, J. (Ed.). (1991–2001). Història de Barcelona. Barcelona: Enciclopèdia Catalana.

    Google Scholar 

  • Strom, E. (2002). Converting pork into porcelain: Cultural institutions and downtown development. Urban Affairs Review, 38, 3–28.

    Article  Google Scholar 

  • Tierz, C., & Muniesa, X. (2013). Barcelona, ciutat de teatres. Barcelona: Ajuntament de Barcelona & Viena Eds.

    Google Scholar 

  • Tremblay, D. G., & Battaglia, A. (2012). El Raval and Mile End: A comparative study of two cultural quarters between urban regeneration and creative clusters. Journal of Geography and Geology, 4(1), 56–74.

    Article  Google Scholar 

  • Zukin, S., & Braslow, L. (2011). The life cycle of New York’s creative districts: Reflections on the unanticipated consequences of unplanned cultural zones. City, Culture and Society, 2(3), 131–140.

    Article  Google Scholar 

Download references

Acknowledgements

The writing of this article has been possible thanks to the project financed by the National Plan for R+D projects: CSO2012-39373-C04-02 and CSO2015-64643-R. Daniel Paül and Joan Ganau are members of the research group Territory and Society, INDEST, University of Lleida.

We would like to thank Iban Tarrés for his help in improving the cartography used in the text. We have also to acknowledge artists and other professionals related with the culture and performing arts for their time and information provided in the interviews. Among others, we should mention Bet Orfila, Oriol Broggi, Tere Badia, Dolors Pedemonte, Kike Bela, and the Statistic Office of Department of Culture of the Catalan Government.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Daniel Paül i Agustí .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2017 Springer International Publishing AG

About this chapter

Cite this chapter

Paül i Agustí, D., Ganau, J., Riera, P. (2017). The Role of Theatre Venues in the Transformation of Barcelona. In: Murzyn-Kupisz, M., Działek, J. (eds) The Impact of Artists on Contemporary Urban Development in Europe. GeoJournal Library, vol 123. Springer, Cham. https://doi.org/10.1007/978-3-319-53217-2_7

Download citation

  • DOI: https://doi.org/10.1007/978-3-319-53217-2_7

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-319-53215-8

  • Online ISBN: 978-3-319-53217-2

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics