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Classical Tragedy and Cervantes’ La Numancia

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Tracing Paradigms: One Hundred Years of Neophilologus

Abstract

This article first appeared in 1974, in volume 58, issue 1 of Neophilologus.

Reprinted from Neophilologus 58 (1974), 34–40.

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Notes

  1. 1.

    Raymond R. MacCurdy, “The Numantia Plays of Cervantes and Rojas Zorrilla: The Shift from Collective to Personal Tragedy” Symposium XIV (1960), 100.

  2. 2.

    MacCurdy, Francisco de Rojas Zorrilla and the Tragedy (Albuquerque 1958), 12.

  3. 3.

    J. C. L. Simonde de Sismondi, The Literature of the South of Europe (London 1853), Vol. 2,12.

  4. 4.

    Angel Valbuena Prat, Historia de la literatura española (Barcelona 1968), Vol. 2, 21.

  5. 5.

    Marcelino Menéndez Pelayo, Estudios y discursos de critica histórica y literaria (Santander 1941), Vol. 1,260.

  6. 6.

    Joaquín Casalduero, “La Numancia” NRFH II (1948), 74. However, William M. Whitby in “The Sacrifice Theme in Cervantes’ La NumanciaHíspanla XLV (1962), 205-210, considers the “Caída-levantamiento” theme as subsidiary to the sacrifice theme.

  7. 7.

    Gustavo Correa, “El concepto de la fama en el teatro de Cervantes” HR XXVII (1959), 289.

  8. 8.

    All line references are to Diez comedias del siglo de oro, Hymen Alpem and José Martel eds. (New York 1939).

  9. 9.

    Arnold G. Reichenberger, “The Uniqueness of the Comedia” HR XXXVIII (1970), 168.

  10. 10.

    Reichenberger, “The Uniqueness of the Comedia” HR XXVII (1959), 307.

  11. 11.

    Casalduero, “La Numancia”, 86.

  12. 12.

    H. D. Broadhead, The Persae of Aeschylus (Cambridge 1960), xvi.

  13. 13.

    All references to the Persae are from The Complete Greek Drama, Whitney J. Oates, ed. (New York 1938), Vol. 1.

  14. 14.

    Broadhead, The Persae, xxiv.

  15. 15.

    Philip Whaley Harsh, A Handbook of Classical Drama (Stanford 1944), 46.

  16. 16.

    H. D. F. Kitto, Greek Tragedy (London 1950), 39.

  17. 17.

    Casalduero, “La Numancia”, 71.

  18. 18.

    Casalduero, “La Numancia”, 75–76.

  19. 19.

    Leo Spitzer “Soy quien soy”, NRFH I (1947), 113–127.

  20. 20.

    Leo Aylen, Greek Tragedy and the Modern World (London 1964), 49.

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de Armas, F.A. (2016). Classical Tragedy and Cervantes’ La Numancia . In: Bremmer Jr, R., Porck, T., Ruiter, F., Wilbers, U. (eds) Tracing Paradigms: One Hundred Years of Neophilologus. Springer, Cham. https://doi.org/10.1007/978-3-319-33585-8_10

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