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Aperiodic Tiling, Penrose Tiling and the Generation of Architectural Forms

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Architecture and Mathematics from Antiquity to the Future

Abstract

The new façade of Storey Hall in Melbourne, by the architects ARM, is covered in a particular set of giant aperiodic tessellations which were discovered by the mathematician Roger Penrose in the 1970s and have since become known as Penrose tiles. While architecture has, historically, always been closely associated with the crafts of tiling and patterning, Storey Hall represents a resurrection and expansion of that tradition. However, what is Penrose tiling and what does it have to do with architecture? This paper provides an overview of the special properties and characteristics of Penrose tiling before describing the way in which they are used in Storey Hall. The purpose of this binary analysis is not to critique Storey Hall but to use the design as a catalyst for considering applications of tiling in the context of architectural form generation.

First published as: Michael J. Ostwald , “Aperiodic Tiling, Penrose Tiling and the Generation of Architectural Forms”, pp. 99–111 in Nexus II: Architecture and Mathematics, ed. Kim Williams, Fucecchio (Florence): Edizioni dell’Erba, 1998.

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Notes

  1. 1.

    In theory it does not matter how large the set of tiles is. An infinite set of different shapes that fills a plane is still a form of tiling although an unconventional kind.

  2. 2.

    Whereas minor or subtle references to the art of tiling may be discerned in various translations of the works of Vitruvious as well as in those of Alberti , Vignola and Serlio , even such minor references are increasingly rare in the treatises that followed; see Kruft (1994).

  3. 3.

    It must be noted that there is some confusion surrounding the terminology “aperiodic” and “non-periodic” as both terms are used interchangeably in popular mathematics and science. This chapter generally conforms to the wording used in Grünbaum and Shephard’s encyclopedic work Tilings and Patterns (1987) and uses “aperiodic” as an accurate description of the properties of a tile set and “non-periodic” only when quoting from another work or when using the term as a broad, non-definitive, descriptor.

  4. 4.

    Although Robbin’s arguments to the contrary are very intriguing, this author remains sceptical; see Robbin (1990: 140–142).

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Correspondence to Michael J. Ostwald .

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Ostwald, M.J. (2015). Aperiodic Tiling, Penrose Tiling and the Generation of Architectural Forms. In: Williams, K., Ostwald, M. (eds) Architecture and Mathematics from Antiquity to the Future. Birkhäuser, Cham. https://doi.org/10.1007/978-3-319-00143-2_31

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