Abstract
The Chigi Palace in Ariccia is one of the most outstanding and well-preserved testimonies of the Italian Baroque both for its architecture designed by Gian Lorenzo Bernini and for the unique masterpieces preserved inside. This paper presents the historical and artistic overview of the artworks investigated within the scientific regional project ADAMO which had the aim of characterise, document and monitor several kind of objects. Among the artworks here presented, there are paintings on canvas, marble busts, handwritten letters, the unique leather wall covering, wall frescoes and the only drawing on wall signed by Bernini itself.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Petrucci F. Palazzo Chigi ad Ariccia. Arti Grafiche Ariccia; 1984.
Petrucci F. Palazzo Chigi in Ariccia nel contesto del complesso berniniano e dell’antico feudo chigiano. Roma: Gangemi; 2022.
Röttgen H. Il Cavalier Giuseppe Cesari D’Arpino. Un grande pittore nello splendore della fama e nell’inconsistenza della fortuna. Roma; 2002. 353–364 p.
Mattiacci G. La decorazione musiva della cupola grande. In: Zandrer P, editor. San Pietro in Vaticano, i mosaici e lo spazio sacro. Milano: Jaca Book; 2021. p. 155–63
Petrucci F. Otto modelli del “Cavalier d’Arpino” per i mosaici della Cupola di San Pietro. Castelli Rom. 2001;XLI(2):35–41.
Petrucci F. Notizie d’archivio su alcuni busti marmorei chigiani. Bollettino d’Arte. 1993;(78):91–8.
Golzio V. Documenti artistici sul Seicento nell’archivio Chigi. 1939. 266–268, 278–280 p.
Bocchi G, Bocchi U. Pittori di natura morta a Roma. Artisti italiani 1630-1750. 2005. 100–107 p.
Petrucci F. Mario Nuzzi, detto Mario de’ Fiori / La Primavera, L’Estate, L’Autunno, L’Inverno. In: Benati D, Mazzocca F, Morandotti A, editors. Fiori Natura e simbolo dal Seicento a Van Gogh. Forlì; 2010. p. 136–45.
Waterhouse E. Roman Baroque Painting. Oxford; 1976. 90 p.
Pampalone A. Per Giacinto Brandi. Boll d’Arte. 1973;2–3:123–66.
Petrucci F. Bernini Pittore. Dal disegno al “maraviglioso composto.” Ugo Bozzi Editore, editor. Roma; 2006.
Petrucci F. Palazzo Chigi ad Ariccia: parati in cuoio. In: Rodolfo A, Volpi C, editors. Vestire i palazzi Stoffe, tessuti e parati negli arredi e nell’arte del Barocco. Città del Vaticano; 2014. p. 249–82.
Di Macco M. Graecia Vetus, Italia Nova. In: Annuario dell’Istituto di Storia dell’Arte dell’Università di Roma. 1973. p. 351–65.
Faldi I. Opere romane di Felice Giani. Boll d’Arte. 1952;(37):243–4.
Caraccio MT. Giuseppe Cades 1750-1799 et la Rome de son temps. Paris; 1992. 115–130, 310–323 p.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Petrucci, F., Ceccarelli, S. (2024). Palazzo Chigi in Ariccia: A Precious Gem of the Italian Baroque Architectural Panorama. In: Ceccarelli, S., Missori, M., Fantoni, R. (eds) Advanced Technologies for Cultural Heritage Monitoring and Conservation. Digital Innovations in Architecture, Engineering and Construction. Springer, Cham. https://doi.org/10.1007/978-3-031-52497-4_1
Download citation
DOI: https://doi.org/10.1007/978-3-031-52497-4_1
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-031-52496-7
Online ISBN: 978-3-031-52497-4
eBook Packages: Computer ScienceComputer Science (R0)