Skip to main content

Palazzo Chigi in Ariccia: A Precious Gem of the Italian Baroque Architectural Panorama

  • Chapter
  • First Online:
Advanced Technologies for Cultural Heritage Monitoring and Conservation

Abstract

The Chigi Palace in Ariccia is one of the most outstanding and well-preserved testimonies of the Italian Baroque both for its architecture designed by Gian Lorenzo Bernini and for the unique masterpieces preserved inside. This paper presents the historical and artistic overview of the artworks investigated within the scientific regional project ADAMO which had the aim of characterise, document and monitor several kind of objects. Among the artworks here presented, there are paintings on canvas, marble busts, handwritten letters, the unique leather wall covering, wall frescoes and the only drawing on wall signed by Bernini itself.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  1. Petrucci F. Palazzo Chigi ad Ariccia. Arti Grafiche Ariccia; 1984.

    Google Scholar 

  2. Petrucci F. Palazzo Chigi in Ariccia nel contesto del complesso berniniano e dell’antico feudo chigiano. Roma: Gangemi; 2022.

    Google Scholar 

  3. Röttgen H. Il Cavalier Giuseppe Cesari D’Arpino. Un grande pittore nello splendore della fama e nell’inconsistenza della fortuna. Roma; 2002. 353–364 p.

    Google Scholar 

  4. Mattiacci G. La decorazione musiva della cupola grande. In: Zandrer P, editor. San Pietro in Vaticano, i mosaici e lo spazio sacro. Milano: Jaca Book; 2021. p. 155–63

    Google Scholar 

  5. Petrucci F. Otto modelli del “Cavalier d’Arpino” per i mosaici della Cupola di San Pietro. Castelli Rom. 2001;XLI(2):35–41.

    Google Scholar 

  6. Petrucci F. Notizie d’archivio su alcuni busti marmorei chigiani. Bollettino d’Arte. 1993;(78):91–8.

    Google Scholar 

  7. Golzio V. Documenti artistici sul Seicento nell’archivio Chigi. 1939. 266–268, 278–280 p.

    Google Scholar 

  8. Bocchi G, Bocchi U. Pittori di natura morta a Roma. Artisti italiani 1630-1750. 2005. 100–107 p.

    Google Scholar 

  9. Petrucci F. Mario Nuzzi, detto Mario de’ Fiori / La Primavera, L’Estate, L’Autunno, L’Inverno. In: Benati D, Mazzocca F, Morandotti A, editors. Fiori Natura e simbolo dal Seicento a Van Gogh. Forlì; 2010. p. 136–45.

    Google Scholar 

  10. Waterhouse E. Roman Baroque Painting. Oxford; 1976. 90 p.

    Google Scholar 

  11. Pampalone A. Per Giacinto Brandi. Boll d’Arte. 1973;2–3:123–66.

    Google Scholar 

  12. Petrucci F. Bernini Pittore. Dal disegno al “maraviglioso composto.” Ugo Bozzi Editore, editor. Roma; 2006.

    Google Scholar 

  13. Petrucci F. Palazzo Chigi ad Ariccia: parati in cuoio. In: Rodolfo A, Volpi C, editors. Vestire i palazzi Stoffe, tessuti e parati negli arredi e nell’arte del Barocco. Città del Vaticano; 2014. p. 249–82.

    Google Scholar 

  14. Di Macco M. Graecia Vetus, Italia Nova. In: Annuario dell’Istituto di Storia dell’Arte dell’Università di Roma. 1973. p. 351–65.

    Google Scholar 

  15. Faldi I. Opere romane di Felice Giani. Boll d’Arte. 1952;(37):243–4.

    Google Scholar 

  16. Caraccio MT. Giuseppe Cades 1750-1799 et la Rome de son temps. Paris; 1992. 115–130, 310–323 p.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Sofia Ceccarelli .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Petrucci, F., Ceccarelli, S. (2024). Palazzo Chigi in Ariccia: A Precious Gem of the Italian Baroque Architectural Panorama. In: Ceccarelli, S., Missori, M., Fantoni, R. (eds) Advanced Technologies for Cultural Heritage Monitoring and Conservation. Digital Innovations in Architecture, Engineering and Construction. Springer, Cham. https://doi.org/10.1007/978-3-031-52497-4_1

Download citation

  • DOI: https://doi.org/10.1007/978-3-031-52497-4_1

  • Published:

  • Publisher Name: Springer, Cham

  • Print ISBN: 978-3-031-52496-7

  • Online ISBN: 978-3-031-52497-4

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics