Abstract
While music notation can be represented across modalities, it is typically only available visually (in standard print) resulting in access barriers for Blind and Visually Impaired (BVI) musicians. Automated conversion tools and common formats such as MusicXML have enabled new workflows where a print score is transcribed (copied) and made into large print and/or braille music. However, many musicians are unable to acquire music in a format legible to them as transcriptions require time, expertise, and specialized software to produce. Drawing upon the experiences and suggestions of 11 adult BVI musicians with varying vision ability and musical backgrounds, we outline a path to improving access to music notation. To this end, we describe opportunities for utilizing automation and crowd workers, make recommendations for customizing music in print, braille, and audio, and identify open challenges and research directions for creating, storing, and sharing music across formats.
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Acknowledgement
We thank Alex (Yixuan) Xu, Fabiha Ahmed, and Lisa Ye for their contributions and the NYU Ability Project for its support.
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Payne, W., Hurst, A. (2023). “We Avoid PDFs”: Improving Notation Access for Blind and Visually Impaired Musicians. In: Sserwanga, I., et al. Information for a Better World: Normality, Virtuality, Physicality, Inclusivity. iConference 2023. Lecture Notes in Computer Science, vol 13972. Springer, Cham. https://doi.org/10.1007/978-3-031-28032-0_44
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