Abstract
This chapter traces the impact of a most unusual event upon my composing methodology: namely, that of a very powerful dream I had about fifty-five years ago, just after a period in Paris, studying conducting with composer, pianist and conductor Jacques-Louis Monod. To pay heed to this dream in any substantial way posed a significant challenge to my conception of self—I have always prided myself on being a practical Scotswoman, and therefore never at all subscribed to the mystical power of dreams to foretell the future. In fact, I would rather cynically and skeptically challenge anyone who did! And yet, this dream changed the course of my thinking in ways I never would have predicted, resulting in my approach to many of my orchestral works. I call this technique “dramatic-abstract form.” In the following, I detail its application in several of my post-1960s compositions, including concerti, opera and orchestral works.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
T.S. Eliot, Four Quartets (New York: Harcourt, 1943): 17.
- 2.
Victoria Crowe, “A Certain Light” exhibition, The Scottish Gallery, 2 Aug 2018–1 Sep 2018, https://scottish-gallery.co.uk/exhibitions/a-certain-light.
- 3.
Crowe, “A Certain Light” exhibition.
References
Crowe, Victoria. “A Certain Light” exhibition. The Scottish Gallery, 2 Aug 2018–1 Sep 2018. https://scottish-gallery.co.uk/exhibitions/a-certain-light.
Eliot, T.S. Four Quartets. New York: Harcourt, 1943.
Musgrave, Thea. Concerto for orchestra. London: J. & W. Chester, 1968.
———. Clarinet Concerto. London: J. & W. Chester, 1969.
———. Night music, for chamber orchestra. London: J. & W. Chester, 1972.
———. Memento vitae: A concerto in homage to Beethoven. London: J. & W. Chester, 1975a.
———. Horn concerto. London: J. & W. Chester, 1974.
———. Viola Concerto. London: Novello, 1975b.
———. Trumpet concerto (Rev. 2019). London: Novello, 2019.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2024 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Musgrave CBE, T. (2024). Sometimes Dreams Do Come True: Thea Musgrave’s Exploration of Dramatic-Abstract Forms in her Instrumental Music. In: Kouvaras, L., Williams, N., Grenfell, M. (eds) The Composer, Herself. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-23922-9_26
Download citation
DOI: https://doi.org/10.1007/978-3-031-23922-9_26
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-031-23921-2
Online ISBN: 978-3-031-23922-9
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)