Abstract
In this chapter we hypothesise that, with regard to the defining activity of creativity (the ability to generate novel and effective outputs), artificial systems are limited to, at best, moderate levels of incremental creativity. In other words, artificial systems have the potential to generate new, and effective, variations of existing ideas, solutions, systems, and artefacts. Furthermore, even with improvements and changes to the technology of AI, this capacity is likely not to transition, eventually, into an autonomous ability for radical creativity, but simply into higher levels of incremental creativity, at a lower cost. While computing power will increase, and algorithms will continue to improve, the limiting factor on artificial creativity (aside from possible data and energy constraints) is not how (the process): rather, it is the rationale (why). No matter how good AI technology becomes, the reason why we are creative (problem definition and solution validation) remains the job of humans. Furthermore, the importance of educating humans for creativity becomes stronger as the jobs of the future coalesce around non-routine, non-algorithmic, non-automatable jobs and tasks.
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Notes
- 1.
The term “robot” is used here as a general reference to systems of hardware and/or software that employ artificial intelligence and automation to replicate human actions.
- 2.
For the sake of simplicity, we use Product to mean any idea, artefact, process, system or service. Any tangible or intangible output of a creative process.
- 3.
It is not our intent here to discuss, in detail, the mechanisms or methods of Machine Learning. We are drawing on well-established broad properties of different classes of Machine Learning to illustrate their potential application in artificial creativity.
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- 5.
- 6.
The Nikkei Hoshi Shinichi Literary Award is open to both human and non-human (i.e., AI) authors.
- 7.
This could be either in the sense that robots, literally, pick and choose what they do, or figuratively, in the sense that the owners of expensive, intelligent robots would not waste this resource on menial, dangerous or dirty tasks that risk damaging their robot.
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Cropley, D.H., Medeiros, K.E., Damadzic, A. (2022). The Intersection of Human and Artificial Creativity. In: Henriksen, D., Mishra, P. (eds) Creative Provocations: Speculations on the Future of Creativity, Technology & Learning. Creativity Theory and Action in Education, vol 7. Springer, Cham. https://doi.org/10.1007/978-3-031-14549-0_2
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