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Across the Atlantic. Silences and Memories of Nazism in Remote Lands (Eldorado, Misiones)

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Contested Urban Spaces

Part of the book series: Palgrave Macmillan Memory Studies ((PMMS))

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Abstract

This chapter deals with Eldorado, a small city in Northeastern Argentina. It stems from a highly emotional encounter I had with a photograph in a town museum (a framed photograph of a resident of Eldorado who volunteered in the German armed forces during the Second World War and died on the Russian front in 1942), and attempts to reflect on the place of memories of Nazism and of anti-Semitism today. Eldorado’s history is marked by a significant community of German origin, with important links with Germany, especially during the rise of Nazism and the war. What went on during the more than seventy-five years since the war to prompt the exhibition of this photograph? How is it possible to exhibit something that can be taken as a Nazi symbol in a public place in Argentina today? Memories, silences, half-words, uneasiness, and an absence of collective reflection about the past are the rule. This dive into history aims to encourage a shift in the conceptualization of centers and peripheries, insofar as the “local” is not defined as what is left over or left out of the “center.” Rather, the “local” is part of an interrelated world, a decentered center from which the world can be looked at. The aim is to show that from this decentered center, the history of “Europe” becomes not a history of place but one of flows, interconnections, and webs/networks—of people, of political, and institutional links, of economic interests, of personal and family ties, of traveling photographs.

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Notes

  1. 1.

    The Cooperative Museum is housed in the premises of the Electrical Cooperative of Eldorado, in the center of town. The Municipal Museum occupies the building that was the residence of the founder of Eldorado, Adolfo Schwelm, in the park that bears his name, close to the Parana River.

  2. 2.

    I personally did not pay attention to the specifics of the uniform, yet when sharing this text and photograph with a German colleague, she immediately started comparing the uniform with others on the internet. Clearly, the object-photograph carries multiple potential messages and meanings, set in motion in each encounter.

  3. 3.

    Those of us who work on memory know that the politics of memory and future commemoration begins at the very moment when a significant event takes place, often with scripts already prepared for future commemoration.

  4. 4.

    The swastika is an image that appears in many cultures. At the beginning of the 20th century in Europe it was associated with good luck and good omens. The Nazi party adopted it as the emblem of its flag in 1920. In 1919 Adolfo Schwelm probably associated the word with good omens and not with Nazism.

  5. 5.

    An original copy of a photo album showing the progress of the settlement is housed in the Special Collection section of the Iberoamerikanischer Institute in Berlin.

  6. 6.

    This silence about the local people contrasts with the significant figure of the mensú in Argentine and Paraguayan history and imagination. The mensú refers to a system of semi-servile labor in the region, the name coming from the form of monthly (mensual) “payment,” not in cash but in vouchers. Short stories, novels, popular music, and films are plentiful about this area and these workers.

  7. 7.

    Eldorado is a small city, where many of the people with whom we talked are easily identifiable, even if their real names are omitted. What is significant here is to look at meanings that are not always explicit, revealed in silences and half-words, related to attitudes that perhaps the people themselves do not explicitly recognize as their own. Therefore, I give the least possible identifying features to the interviewees.

  8. 8.

    Interviews were conducted in Spanish. All translations are my own.

  9. 9.

    Interviewer questions are in parenthesis.

  10. 10.

    The museum receives objects that people in the town bring in. Usually the objects shown are on loan, and the owners can retrieve them when they so feel.

References

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Jelin, E. (2022). Across the Atlantic. Silences and Memories of Nazism in Remote Lands (Eldorado, Misiones). In: Capdepón, U., Dornhof, S. (eds) Contested Urban Spaces. Palgrave Macmillan Memory Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-87505-3_6

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