Skip to main content

Political Satire and the Mediation of the Zimbabwean Crisis in the Era of the “New Dispensation”: The Case of MAGAMBA TV

  • Chapter
  • First Online:
The Politics of Laughter in the Social Media Age

Abstract

This chapter examines the mediation of the post-Mugabe Zimbabwean crisis through satirical parody videos circulated on Magamba TV, a YouTube-based platform. This chapter shows how political satire is used to show that “New Dispensation” of Emmerson Mnangagwa has failed to deal with the multiplicity of problems bedevilling the country. The proliferation of political satire in the “New Dispensation”, we argue, is not a sign of the opening up of democratic space in Zimbabwe but rather a growing propensity to keep the government in check. In this way, political satire has a subversive function as well as acting as a “social barometer/moral watchdog”. Drawing on Scott’s theory of the “weapons of the weak” and Downing’s postulations on “radical alternative media”, we show that political satire allows for an interrogation of the new ruling elite in Zimbabwe. Using Multimodal Critical Discourse Analysis, we show how alternative media, as embodied by Magamba TV, represent a multiplicity of discourses whose themes are primarily intended to satirise and question the government and public officials in Zimbabwe.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Notes

  1. 1.

    This was a military operation that triggered the fall of Zimbabwe’s sole ruler from Independence, Robert Mugabe. It has been widely referred to as a coup de tat. The operation, also targeted G-40 faction members such Jonathan Moyo, Kudzayi Chipanga, Ignatious Chombo, Saviour Kasukuwere who were either tortured, arrested or whose families where harassed.

  2. 2.

    The August 1 shootings were a result of MDC-Alliance supporters demanding Zimbabwe Electoral Commission to release results of the 2018 elections. Disgruntled supporters took to the streets and six were shot dead by Zimbabwe National Army personnel, while dozens were injured.

  3. 3.

    The January fuel protests were triggered by fuel hikes by the Emmerson Mnangagwa-led government. Fuel hikes were coupled with already deteriorating socio-economic and socio-political conditions. The results were protests and looting that lasted for three days. Government responded by blocking the internet and unleashing the army and police in the streets to silence the dissent.

  4. 4.

    Mduduzi Mathuthu, together with Hopewell Chin’ono, played a major role in exposing corruption of Minister of Health and Child Welfare, Obadiah Moyo, in what became known as the Covigate scandal. Because he went against the grain and exposed other corruption scandals, Hopewell was incarcerated while Mathuthu went into hiding, fearing for his life. The state, using what has become known as the “ferrets”—a team allegedly responsible for abductions in Zimbabwe, reacted by abducting Tawanda Muchehiwa and Mathuthu’s two nephews.

  5. 5.

    Mnangagwa earned this nickname during Zimbabwe’s liberation struggle when he was a member of the so-called crocodile gang, which was famous for bombing petrol tanks in the industrial area of Southerton in Salisbury (now Harare). Some also say he earned the title from his shrewd tactics, which were similar to those of a crocodile, in outmanoeuvring opponents (see Ncube, 2020, p. 342).

  6. 6.

    https://www.youtube.com/watch?v=YFuvdGGzaDw

  7. 7.

    The Munhumutapa offices are in Harare and mostly house Ministerial offices.

  8. 8.

    https://www.bbc.com/news/world-africa-54480264

References

  • Ardevol, E., & Gomez-Cruz, E. (2014). Digital Ethnography and Media Practices. In The International Media of Encyclopedia of Media Studies (Vol. 7), Research Methods in Media Studies. Oxford. Wiley Black.

    Google Scholar 

  • Arnsten, H. (2009). Committing journalism? A view of the Zimbabwean 2008 General Elections as interpreted by Internet news cartoons. Communicare, 29, 18–42.

    Google Scholar 

  • Atalay, G. E. (2015). Use of multimodal critical discourse analysis in media studies. The Online Journal of Communication and Media, 1(3), 40–43.

    Google Scholar 

  • Chimininge, V. (2019). ‘The voice of the people is the voice of God’: A critical reflection on the use of God in promoting political legitimacy in the new dispensation in Zimbabwe. Journal of Politics and Religion, 32(2), 37–59.

    Google Scholar 

  • Chitanana, T., & Mutsvairo , B. (2019). The deferred ‘democracy dividend’ of citizen journalism and social media: Perils, promises and prospects from the Zimbabwean experience. Westminster Papers in Communication and Culture, 14(1), 66–80.

    Google Scholar 

  • Chuma, W., Msimanga, M., & Tshuma, L. (2020). Succession politics and factional journalism in Zimbabwe: A case of The Chronicle in Zimbabwe. African Journalism Studies, 41(2), 35–48.

    Article  Google Scholar 

  • Crithley, S. (2002). On humour. Routledge.

    Google Scholar 

  • Day, A. (2009). Satire and dissent: Interventions in contemporary political debate. Indiana University Press.

    Google Scholar 

  • Downing, J. (2001). Radical media: Rebellious communication and social movements. Sage Publications.

    Google Scholar 

  • Eko, L. (2010). The art of criticism: How African cartoons discursively constructed African media realities in the post-cold war era. Critical African Studies, 4(1), 1–27.

    Google Scholar 

  • Fanon, F. (1980). The wretched of the earth. Penguin Books.

    Google Scholar 

  • Gray, J., Jones, J. P., & Thompson, E. (2009). The state of satire, the satire of state. In J. Gray, J. P. Jones, & E. Thompson (Eds.), Satire TV: Politics and comedy in the post network era (pp. 3–36). New York University Press.

    Google Scholar 

  • Griffin, D. (1994). Satire: A critical reintroduction. The University Press of Kentucky.

    Google Scholar 

  • Hammett, D. (2011). Zapiro and Zuma: A symptom of an emerging constitutional crisis in South Africa? Political Geography, 29(1), 88–96.

    Google Scholar 

  • Holland, H. (2008). Dinner with Mugabe: The untold story of a freedom fighter who became a tyrant. Penguin Books.

    Google Scholar 

  • Iqani, M. (2020). Media texts: Modality, meaning and analysis. In M. Iqani & S. Chiumbu (Eds.), Media studies: Critical African and decolonial approaches. Goodwood.

    Google Scholar 

  • Kuhlman, J. (2012). Zimbabwean diaspora politics and the power of laughter: Humour as a Tool for Political Communication, Criticism and Protest. Journal of African Media Studies, 4(3), 295–313.

    Google Scholar 

  • Makombe, R., & Agbede, G. T. (2016). Challenging power through social media: A review of selected memes of Robert Mugabe’s fall. Communicare: Journal of Communication Sciences in Southern Africa, 35(2), 39–54.

    Google Scholar 

  • Makumbe, J. (1994). Bureaucratic corruption in Zimbabwe: Causes and the magnitude of the problem. Africa Development/Afrique et Développement, 11(3), 45–60.

    Google Scholar 

  • Matsilele, A. (2017). Incorporating comedy: Unconventional journalism in Zimbabwe comics step into the breach to fill a journalism vacuum in the face of government censorship. Jamlab Africa. 02 June. https://medium.com/jamlab/incorporating-comedy-unconventional-journalism-in-zimbabwe-51a8512a4df0

  • McClennen, S. A., & Maisel, R. M. (2014). Is satire saving our nation? Mockery and American politics. Palgrave Macmillan.

    Google Scholar 

  • Mhiripiri, N. A., & Ureke, O. (2019). Theoretical paradoxes of representation and the problems of media representations of Zimbabwe in crisis. Critical Arts, 32(2), 1–17.

    Google Scholar 

  • Mpofu, S. (2016). Making heroes, (un)making the nation?: ZANU-PF’s imaginations of the Heroes’ Acre, heroes and construction of identity in Zimbabwe from 2000 to 2015. African Identities, 15(1), 1–17.

    Google Scholar 

  • Mpofu, S. (2019). Pornographic intersections: Race and genitalia in South African political art in the age of digital media: Intersections pornographiques. Critical African Studies, 11(2), 230–261.

    Article  Google Scholar 

  • Mpofu, S., & Mastilele, T. (2020). Social media and the concept of dissidence in Zimbabwean politics. In S. J. Ndlovu-Gatsheni & P. Ruhanya (Eds.), The history and political transition of Zimbabwe: From Mugabe to Mnangagwa (pp. 221–245). Palgrave Macmillan.

    Chapter  Google Scholar 

  • Muchacha, M. (2016). Politically motivated violence in Zimbabwe and the role of social work. Journal of Human Rights and Social Work, 1, 156–164.

    Article  Google Scholar 

  • Musangi, J. (2012). ‘A Zimbabwean Joke Is No Laughing Matter’: E-Humour and Versions of Subversion (pp. 161–175). Cape Town: HSRC Press.

    Google Scholar 

  • Musila, G. A. (2009). Laughing at the Rainbow’s Cracks? Blackness, whiteness & the ambivalences of South African stand-up comedy. In E. Obadare & W. Willems (Eds.), Civic agency in Africa arts of resistance in the 21st century (pp. 147–166). Boydell & Brewer Ltd.

    Google Scholar 

  • Ncube, G. (2018). Of dirt, disinfection and purgation: Discursive construction of state violence in selected contemporary Zimbabwean literature. Tydskrif vir Letterkunde, 55(1), 41–53.

    Article  Google Scholar 

  • Ncube, L. (2020). Misogyny, sexism and hegemonic masculinity in Zimbabwe’s operation restore legacy. In S. J. Ndlovu-Gatsheni & P. Ruhanya (Eds.), The history and political transition of Zimbabwe: From Mugabe to Mnangagwa (pp. 331–359). Palgrave Macmillan.

    Chapter  Google Scholar 

  • Ndlovu-Gatsheni, S. J. (2015). Introduction: Mugabeism and entanglements of history, politics, and power in the making of Zimbabwe. In S. J. Ndlovu-Gatsheni (Ed.), Mugabeism? History, politics, and power in Zimbabwe (pp. 1–25). Palgrave Macmillan.

    Google Scholar 

  • Ndlovu-Gatsheni, S. J., & Benyera, E. (2015). Strategy recommendation framework for resolve in the justice and reconciliation question in Zimbabwe. African Journal of Conflict Revolution, 15(2), 9–31.

    Google Scholar 

  • Ndlovu-Gatsheni, S. J., & Ruhanya, P. (2020). Introduction: Transition in Zimbabwe: From Robert Gabriel Mugabe to Emmerson Dambudzo Mnangagwa: A repetition without change. In S. J. Ndlovu-Gatsheni & P. Ruhanya (Eds.), The history and political transition of Zimbabwe: From Mugabe to Mnangagwa (pp. 1–23). Palgrave Macmillan.

    Chapter  Google Scholar 

  • Neale, S., & Krutnick, F. (2006). Popular film and television comedy. Routledge.

    Google Scholar 

  • Nyamnjoh, F. B. (2009). Press cartoons and politics: The Case of Cameroon. In J. A. Lent (Ed.), Cartooning in Africa. Hampton Press.

    Google Scholar 

  • Rwodzi, A. (2019). Democracy, governance and legitimacy in Zimbabwe since the November 2017 military coup. Cadernos de Estudos Africanos, 38, 193–213.

    Article  Google Scholar 

  • Scott, J. (1985). Weapons of the weak: Everyday forms of resistance. Yale University Press.

    Google Scholar 

  • Siziba, G., & Ncube, G. (2015). Mugabe’s fall from grace: Satire and fictional narratives as silent forms of resistance in/on Zimbabwe. Social Dynamics: A Journal of African Studies, 41(3), 516–539.

    Article  Google Scholar 

  • Tinnic, S. (2009). Speaking ‘truth’ to power? Television Satire, Rick Mercer Report, and the politics of place and space. In J. Gray, J. P. Jones, & E. Thompson (Eds.), Satire TV: Politics and comedy in the post network era (pp. 167–186). NYU Press.

    Google Scholar 

  • Werbner, R. P. (1991). Tears of the dead: The social biography of an African family. Edinburgh University Press.

    Google Scholar 

  • Willems, W. (2011). Comic strips and ‘the crisis’: Postcolonial laughter and coping with everyday life in Zimbabwe. Popular Communication, 9(2), 126–145.

    Article  Google Scholar 

  • Zamponi, M. (2005). From social justice, to neo-liberalism, to authoritarianian nationalism: Where is the Zimbabwe state going? In D. Suzanne, M. Zamponi, & M. Henning (Eds.), Zimbabwe: The political economy of decline (Discussion Paper 27) (pp. 27–43). Nordiska Afrikainstitutet.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Msimanga, M.J., Ncube, G., Mkwananzi, P. (2021). Political Satire and the Mediation of the Zimbabwean Crisis in the Era of the “New Dispensation”: The Case of MAGAMBA TV. In: Mpofu, S. (eds) The Politics of Laughter in the Social Media Age. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-81969-9_3

Download citation

Publish with us

Policies and ethics