Abstract
Seoul is the urban locus of a remarkable pop cultural phenomenon, the Korean Wave. Seoul’s participation in the global creative city competition results in the paradoxical exclusion of the concerns and participation of its citizens. Korean Wave-centric initiatives are focused at either attracting more tourists and/or providing marketing opportunities for those within the industry. This Seoul case study illustrates a more nuanced analysis of the creative city reality (as a center of international creative business) and governance, one that questions the creative city paradigm as a whole. It advances the discussion of creative cities from ahistorical one that centers the European and American experiences. Seoul therefore questions the paradigm for creative city policymaking in the Non-West.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Notes
- 1.
President Park Geun-hye was impeached on charges of corruption due to the steering of funds from various business interests by her advisor to her (the advisor’s) foundations.
- 2.
KCON is a Hallyu/Korean Wave-centric convention that began in 2012 in California. As its website (http://www.kconusa.com/) notes “KCON USA is the original convention dedicated to bring “All Things Hallyu” to the American fan base” and showcases the music, dramas, food, beauty products of Korea. It has since expanded beyond the US to Japan, the UAE (Abu Dhabi), Australia, and Mexico. KCON is spearheaded by CJ E&M but has been consistently supported by the government through KOCCA, KOTRA, Ministry of SMEs & Startups, and CCEI (Center for Creative Economy & Innovation). BTS performed their first show in the USA at KCON in 2014.
- 3.
Dongdaemun Design Plaza an iconic landmark designed by Zaha Hadid whose construction began in 2009 under Mayor Oh Se-hoon. It is one of the main reasons for Seoul’s design as World Design Capital in 2010.
- 4.
References
Bae, Eun-song, Meehyang Chang, Eung-Suk Park, and Dae-cheol Kim. 2017. The Effect of Hallyu on Tourism in Korea. Journal of Open Innovation: Technology, Market, and Complexity 3: 22. https://doi.org/10.1186/s40852-017-0075-y.
BOP Consulting. 2017. World Cities Culture Finance Report. London: BOP Consulting.
Chang, Dong-woo. 2017. K-pop’s Hall-of-fame Road: Why Some Stars Make It and Others Don’t. In Yonhap News. Seoul: Yonhap News Agency.
Cho, Myung-Rae. 2010. The Politics of Urban Nature Restoration: The Case of Cheonggyecheon Restoration in Seoul, Korea. International Development Planning Review 32 (2): 145–165. http://dx.doi.org.virtual.anu.edu.au/10.3828/idpr.2010.05.
Comunian, Roberta. 2011. Rethinking the Creative City: The Role of Complexity, Networks and Interactions in the Urban Creative Economy. Urban Studies 48 (6): 1157–1179. https://doi.org/10.1177/0042098010370626.
DCMS. 1998. Creative Industries Mapping Document. London: Department of Culture, Media & Sports.
De Beukelaer, Christiaan, and Kim-Marie Spence. 2018. Global Cultural Economy, Key Ideas in Media & Cultural Studies. London: Routledge.
Fackler, Martin. 2012. Trendy Spot Urges Tourists to Ride in and Spend, ʻGangnam Styleʼ. New York Times.
Flew, Terry, and Stuart Cunningham. 2010. Creative Industries After the First Decade of Debate. The Information Society 26 (2): 113–123.
Florida, Richard L. 2002. The Rise of the Creative Class: And How it’s Transforming Work, Leisure, Community and Everyday Life. New York, NY: Basic Books.
Garnham, Nicholas. 2005. From Cultural to Creative Industries. International Journal of Cultural Policy 11 (1): 15–29. https://doi.org/10.1080/10286630500067606.
Government of the Republic of Korea. 1999. Government of the People: Selected Speeches of President Kim Dae-Jung. Seoul, South Korea: Office of the President, Government of the Republic of Korea.
Gu, Xin. 2014. Cultural Industries and Creative Clusters in Shanghai. City, Culture and Society 5 (3): 123–130. https://doi.org/10.1016/j.ccs.2014.07.005.
Hillman-Chartrand, Harry, and Claire McCaughey. 1989. The Arm’s Length Principle and the Arts: An International Perspective. In Who’s To Pay for the Arts? The International Search for Models of Support, ed. M. Cummings and J. Schuster, 43–80. New York: American Council for the Arts Books.
Hong, Euny. 2014. The Birth of Korean Cool. London: Picador.
Interview with Gangnam Tourist Office Staff. 2016. In ANU PhD Fieldwork. Edited by Kim-Marie Spence. Canberra Australian National University.
Interview with YG Employee. 2016. In PhD Fieldwork. Edited by Kim-Marie Spence. Canberra: ANU.
Jin, Dal Yong, and Kyong Yoon. 2016. The social mediascape of transnational Korean pop culture: as spreadable media practice. New Media & Society 18 (7): 1277–1292.
John, Jojin. 2015. Globalization, National Identity and Foreign Policy: Understanding ‘Global Korea’. The Copenhagen Journal of Asian Studies 33 (2): 38–57.
Kang, Myungkoo. 2004. There is No South Korea in South Korean Cultural Studies: Beyond the Colonial Condition of Knowledge Production. Journal of Communication Inquiry 28 (3): 253–268. https://doi.org/10.1177/0196859904264688.
Kang, Inkyu. 2015. The Political Economy of Idols: South Korea’s Neoliberal Restructuring and Its Impact on the Entertainment Labour Force. In K-pop—The International Rise of the Korean Music Industry, ed. Roald Maliangkay and JungBong Choi, 51–65. New York and London: Taylor & Francis.
Keane, Michael. 2006. From made in China to Created in China. International Journal of Cultural Studies (3): 205–296. https://doi.org/10.1177/1367877906066875.
Kim, Youna. 2007. The Rising East Asian ‘Wave’: Korean Media Go Global. In Media on the Move: Global Flow and Contra-Flow, ed. Daya Thussu. London and New York: Routledge.
Kim, Taeyoung. 2017. Creative Economy of the Developmental State: A Case Study of South Korea’s Creative Economy Initiatives. The Journal of Arts Management, Law, and Society 47 (5): 322–332. https://doi.org/10.1080/10632921.2017.1377660.
Kim, Gooyoung. 2018. K-pop Female Idols: Culture Industry, Neoliberal Social Policy and Governmentality in Korea. In The Routledge Handbook of Global Cultural Policy, ed. Victoria Durrer, Toby Miller, and Dave O’Brien, 520–537. Abingdon: Routledge.
KOFICE. 2019. Hallyu White Paper 2018. In ed. KOFICE Research Team. Seoul: Korea Foundation for International Exchange.
Kong, Lily, et al. 2006. Knowledges of the Creative Economy: Towards a Relational Geography of Diffusion and Adaptation in Asia. Asia Pacific Viewpoint 47 (2): 173–194.
KpopJoA. 2017. Psy Negatively Reacts to the Use of Tax Money for a Golden ‘Gangnam Style’ Statue Worth 357,000 USD. In AllKpop, ed. Allkpop. Ridgefield, NJ: 6Theory Media Networks.
Kwon, Mee-yo. 2009. Design to Make Seoul Global City. In The Korea Times. Seoul: Hankook Ilbo.
Kwon, Seung-Ho, and Joseph Kim. 2014. The Cultural Industry Policies of the Korean Government and the Korean Wave. International Journal of Cultural Policy 20 (4): 422–439. https://doi.org/10.1080/10286632.2013.829052.
Landry, Charles, and Franco Bianchini. 1995. The Creative City. London: Demos (in association with Comedia).
Lee, Hyunjoo. 2015. Branding the Design City: Cultural Policy and Creative Events in Seoul. International Journal of Cultural Policy 21 (1): 1–19. https://doi.org/10.1080/10286632.2014.890604.
Lee, Yong-Sook, and Eun-Jung Hwang. 2012. Global Urban Frontiers through Policy Transfer? Unpacking Seoul’s Creative City Programmes. Urban Studies 49 (13): 2817–2837. https://doi.org/10.1177/0042098012452456.
Lie, John. 2014. K-pop: Popular Music, Cultural Amnesia, and Economic Innovation in South Korea. Berkeley, California: University of California Press.
O’Connor, Justin, and Xin Gu. 2012. Creative Industry Clusters in Shanghai: A Success Story? International Journal of Cultural Policy 20 (1): 1–20.
O’Connor, Justin, and Kate Shaw. 2014. What Next for the Creative City? City, Culture and Society 5 (3): 165–170. https://doi.org/10.1016/j.ccs.2014.05.010.
Park, Eun-Jee. 2014. So Far, Gangnam Tourist Site a Flop. In Korea Joongang Daily. Seoul: JoongAng Ilbo.
Plaza, Beatriz. 2010. Valuing Museums as Economic Engines: Willingness to Pay or Discounting of Cash-Flows? Journal of Cultural Heritage 11 (2): 155–62. https://doi.org/10.1016/j.culher.2009.06.001.
Pratt, Andy C. 2008. Creative Cities: The Cultural Industries and the Creative Class. Geografiska Annaler: Series B. Human geography 90 (2): 107–17. https://doi.org/10.1111/j.1468-0467.2008.00281.x.
Pratt, Andy C. 2010. Creative Cities: Tensions Within and Between Social, Cultural and Economic Development: A Critical Reading of the UK Experience. City, Culture and Society 1 (1): 13–20. https://doi.org/10.1016/j.ccs.2010.04.001.
Pratt, Andy. 2011. The Cultural Contradictions of the Creative City. City, Culture and Society 2 (3): 123–130. https://doi.org/10.1016/j.ccs.2011.08.002.
Scott, Allen J. 2004. Cultural-Products Industries and Urban Economic Development: Prospects for Growth and Market Contestation in Global Context. Urban Affairs Review 39 (4): 461–490. https://doi.org/10.1177/1078087403261256.
Shin, Hyunjoon, and Seung-Ah Lee. 2017. Introduction: The Road to Popular Music: Regulation, Resistance and Negotiations. In Made in Korea: Studies in Popular Music. Edited by Hyunjoon Shin and Seung-Ah Lee. New York: Routledge.
Smith, Richard, and Katie Warfield. 2008. The Creative City: A Matter of Values. In Creative Cities, Cultural Clusters and Local Economic Development, ed. Philip Cooke and Luciana Lazzeretti. Cheltenham: Edward Elgar.
South Korean Cultural Industry Policy Department. 2002. The Cultural Industry Policies in Korea. South Korean Culture and Tourism Policy Institute.
Spence, Kim-Marie. 2019. Creative Industries Development: Experiences of the Non-West. PhD Dissertation, The Australian National University.
Yang, Yanling. 2016. Film Policy, the Chinese Government and Soft Power. New Cinemas: Journal of Contemporary Film 14 (1): 72–91.
Yonhap News Agency. 2019. South Korea Allots Biggest-ever Culture Budget for 2020. Yonhap News Agency. Seoul: Yonhap News Agency.
Zukin, Sharon. 1987. Gentrification: Culture and Capital in the Urban Core. Annual Review of Sociology 13: 129–47.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Spence, KM. (2020). Creative Seoul: A Lesson for Asian Creative Cities. In: Gu, X., Lim, M.K., O’Connor, J. (eds) Re-Imagining Creative Cities in Twenty-First Century Asia. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-46291-8_14
Download citation
DOI: https://doi.org/10.1007/978-3-030-46291-8_14
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-46290-1
Online ISBN: 978-3-030-46291-8
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)