Abstract
The zombie has a long history in American culture. Fear of voodoo and zombies as forces to be used against white rulers by oppressed black people date back to slavery, with a clear flashpoint around the Haitian Revolution (1791–1804) when the island and its people won their independence from the French. This marks the zombie as a traumatic, racialized body. Haiti again played a prominent part in the American cultural consciousness following its military occupation by the US from 1915–1934. A key example of this is White Zombie (1932), widely regarded as the foundational text for zombie cinema. In horror comics of the 1950s, zombies and Haiti frequently reappear, drawing on and repositioning these traumatic histories in new domestic and geopolitical contexts. The imperialism evident in American interventions in the Caribbean and South and Central America, including the occupation of Haiti, is positioned against the growth of economic, cultural, and ideological empire in the early Cold War. Domestic contexts contribute to racialized readings and the perceived threat of the burgeoning Civil Rights movement to existing racial, social, and economic hierarchies. Lastly, the zombie can be read in terms of the traumatic deaths of soldiers in the Second World War and the Korean War, with both conflicts offering exoticised settings and the threat of the ‘native’ Other. The zombie therefore offers a space through which multiple past and present traumas, as well as anxieties about future practice and its impact on the US, can be explored.
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Notes
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Frank Ninkovich asserts that American foreign policy throughout the twentieth century was characterized by ‘the emergence and persistence […] of two quite distinct but related’ ideologies: ‘normal’ internationalism and Wilsonianism, ‘a crisis internationalism that surfaced in bad times’ (1999: 12). Ninkovich continues by claiming that Wilsonianism was ‘continually haunted by the fear of terrible failure’ (13); zombies are a cultural manifestation of this fear, this chapter contends, emerging in the climate of economic, social, and political crisis of the 1930s, then re-emerging in the Second World War, and then appearing again in the early Cold War of the 1950s. While zombies never really went away, neither did crises. In Ninkovich’s interpretation of the twentieth century, the same Wilsonian internationalism was used to counter them both before and during the Cold War.
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Goodrum, M. (2020). The Past That Will Not Die: Trauma, Race, and Zombie Empire in Horror Comics of the 1950s. In: Davies, D., Rifkind, C. (eds) Documenting Trauma in Comics. Palgrave Studies in Comics and Graphic Novels. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-37998-8_4
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