Skip to main content

Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renié’s Reflections

  • Chapter
  • First Online:
Of Essence and Context

Part of the book series: Numanities - Arts and Humanities in Progress ((NAHP,volume 7))

  • 361 Accesses

Abstract

How could the essence of music be described? Could the many facets of music mirror one essence? These issues are considered against the background of Henriette Renié’s philosophical reflections. For years, Renié—an outstanding French virtuoso harpist, composer and pedagogue of international repute in her time—had consistently studied and applied to her concepts on essence in music the teachings of well-known philosophers and theologians, among others Plato, Saint Augustine, Jacques-Bénigne Bossuet, and Auguste Joseph Alphonse Gratry. The article is based on thoroughly examined source materials gathered in the course of extensive research carried out by the author in the USA and in France.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 16.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 64.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 64.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Similar content being viewed by others

Notes

  1. 1.

    All the cited excerpts are in my own translation from Polish (the excerpt from Paul Ricœur) and French (all the remaining excerpts) with the exception of the excerpts from Saint Augustine’s Confessions.

  2. 2.

    Latin motto: ad maiorem Dei gloriam.

  3. 3.

    Auguste Joseph Alphonse Gratry, known as Père Gratry (1805–1872)—French Catholic priest and theologian.

  4. 4.

    The title of Renié’s notebook is a paraphrase of the title of Gratry’s work Les Sources, conseils pour la conduite de l’esprit.

  5. 5.

    See poems A Villequier and Un jour, le morne esprit, le prophète sublime.

  6. 6.

    This being confirmed by the correspondence between Renié and the enumerated persons.

  7. 7.

    Renié and her mother, Gabrielle Marie Renié.

References

  • Bossuet, Jacques-Bénigne. 1866. Œuvres de Bossuet. Tome troisième. Sermons. Panégyriques. Méditations sur l’Évangile. Paris: Chez Firmin Didot Frères, Fils et Cie, Libraires.

    Google Scholar 

  • Dubois, Théodore. 1906. Manuscript Letter to Henriette Renié, 24 July 1906. France: The Reniés’ family private collection.

    Google Scholar 

  • Fénelon, 1929. Œuvres choisies. Paris: Librairie Garnier Frères.

    Google Scholar 

  • Gratry, A. 1861. Les Sources, conseils pour la conduite de l’esprit. Paris: Charles Duniol, Libraire-Éditeur.

    Google Scholar 

  • Huré, Jean. 1906. Concerts Colonne et Lamoureux. «Scherzo» de M. Aimé Kunc, Mlle Dron, «Élégie» de Mlle H. Renié. Le Monde musical, December 15, 1906, No. 23: 323.

    Google Scholar 

  • Renié, Henriette. 1907. Letter to Geneviève Aubert. Typewritten by Françoise des Varennes, August 11, 1907. Box 27, Folder 3. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1910. Letter to Marcel Grandjany. Typewritten by Françoise des Varennes, September 2, 1910. Box 11, Folder 3. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1918. Manuscript letter to François Renié. April 1, 1918. Box 43, Folder 2B. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1930. Letter to Odette de Montesquiou. Photocopied and typewritten by Françoise des Varennes, September 7, 1930. Box 18, Folder 10 and Box 18, Folder 6. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1937a. Manuscript Diary. February 25, 1937. Box 19, Folder 8. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1937b. Manuscript Letter to Françoise des Varennes. July 27, 1937. Box 19, Folder 8. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1954. Manuscript Diary. November 15, 1954. Box 58, Folder 1. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. 1955. Manuscript Diary. 9 March 1955. Box 58, Folder 1. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT; Manuscript Diary. 30 May 1955. Box 58, Folder 2. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT; Manuscript Diary. 1 November 1955. Box 58, Folder 2. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. Diverses pensées. Undated Manuscript Notebook. Box 58, Folder 2. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. Ma vie d’âme depuis 1894–1932 et après-! Manuscript Notebook. Box 58, Folder 2. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. Les sources—Père Gratry (conduit de l’esprit—conseils). Undated Manuscript Notebook. Box 58, Folder 2. Music Special Collections. International Harp Archives, Harold B. Lee Library, Brigham Young University, Provo, UT.

    Google Scholar 

  • Renié, Henriette. Undated and Untitled Manuscript Notebook. Private collection, France.

    Google Scholar 

  • Ricœur, Paul. 1985. Egzystencja i hermeneutyka. Rozprawy o metodzie [Existence and Hermeneutics. Essays on the Method], Ewa Bieńkowska (transl.). Warszawa: Instytut Wydawniczy PAX.

    Google Scholar 

  • Saint, Augustine. 1996. The Confessions. The City of God. On Christian Doctrine. R. S. Pine-Coffin, Marcus Dods and J. F. [i. e.] J. Shaw (transl.). Chicago: Encyclopaedia Britannica.

    Google Scholar 

  • Święty, Augustyn. 1999. Św. Augustyna traktat „O muzyce” [Saint Augustine’s Treatise “De musica”]. Leon Witkowski (transl.), Remigiusz Popowski (ed.). Lublin: Katolicki Uniwersytet Lubelski.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Temina Cadi Sulumuna .

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2019 Springer Nature Switzerland AG

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Sulumuna, T.C. (2019). Essence and Context: Exploring the Links Between Music and Philosophy in the Light of Henriette Renié’s Reflections. In: Stanevičiūtė, R., Zangwill, N., Povilionienė, R. (eds) Of Essence and Context. Numanities - Arts and Humanities in Progress, vol 7. Springer, Cham. https://doi.org/10.1007/978-3-030-14471-5_19

Download citation

Publish with us

Policies and ethics