Abstract
Thirty years have passed since I entered my master‘s program in Creative Writing mindful of my father‘s observation that perhaps we were training a few too many writers in this country. By the time I matriculated in my doctoral program five years later, I had mastered what I had learned as an MA student but had yet to understand how poorly who I was as a writer – and writing itself – was served by how I had been trained. Although writing was my life and had been so for half a decade, it still made me feel a bit like a child performing for the friends of her parents. As a doctoral, I discovered theory, especially feminist theory, and though I found it difficult and strange, it gave me a way of understanding how thoroughly I had given my writing over to an inchoate idea of what I thought it was supposed to be. Theory did two things for me that it can still do for our students:
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Notes
Wendy Bishop, Ed., Elements of Alternate Style: Essays on Writing and Revision (Portsmouth, NH: Boynton/Cook, 1997).
Francois Camoin, ‘The Workshop and Its Discontents,’ Colors of a Different Horse: Rethinking Creative Writing Theory and Pedagogy, Eds. Wendy Bishop and Hans Ostrom (Urbana, IL: NCTE, 1994), pp. 3-7.
Jonathan Culler, Structuralist Poetics: Structuralism, Linguistics, and the Study of Literature (Ithaca, NY: Cornell UP, 1975), p. 134.
Rachel Blau DuPlessis, The Pink Guitar: Writing as Feminist Practice (New York: Routledge, 1990).
David Richter, Ed., Falling into Theory: Conflicting Views on Reading and Literature (Boston: Bedford Books of St. Martin’s Press, 1994), p. 27, p. 40.
F.O. Matthiessen, ‘The Responsibilities of the Critic,’ American Literature, American Culture, Ed. Gordon Hunter (New York: Oxford UP, 1999), pp. 303-12.
Marjorie Perloff, ‘Theory and/in the Creative Writing Classroom,’ AWP Newsletter (November/December, 1987): 1-4.
M.M. Bakhtin, ‘Epic and Novel,’ Essentials of the Theory of Fiction, Eds. Michael J. Hoffman and Patrick Murphy (Durham: Duke UP, 1988),pp. 48-69.
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© 2012 Katharine Haake
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Haake, K. (2012). Thinking Systematically About What We Do. In: Teaching Creative Writing. Teaching the New English. Palgrave Macmillan, London. https://doi.org/10.1057/9781137284464_18
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DOI: https://doi.org/10.1057/9781137284464_18
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