Skip to main content

What Can We Learn from the Masters? Color Schemas on Paintings as the Source for Color Ranges Applicable in Cartography

  • Chapter
  • First Online:
Book cover Cartography and Art

Part of the book series: Lecture Notes in Geoinformation and Cartography ((LNGC))

Abstract

The technology boost in the second half of the 20th century caused a partial resignation of map makers concerning the artistic value of maps. Now it is the time, that technology itself is not enough. Technology, as much as it is important for development, it does not bring beauty to our work. Nowadays it isn’t the truth that beauty equals quality, as it was for example in the 16th century; however, harmony which is the main part of what we understand under the term of beauty is what brings us to the next level of comprehension. Let’s look on the work of landscape painters with ‘cartographic’ glasses. The masterful paintings full of vibrant colors are an excellent source of color harmonies. As such, there is possibility to use them as a template for creating better maps.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 169.00
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 219.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 219.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Brewer CA (2005) Designing better maps. Redlands, USA: Esri Press

    Google Scholar 

  • Clark K (1949) Landscape into Art. London: John Murray

    Google Scholar 

  • Color Schemer Studio, http://www.colorschemer.com, traced 3.12.2007

  • Friedmannová L (2001) The Climatologic Maps in Atlas Making – Visualization Characteristics. Kartografické listy, vol.9, pp. 67–72

    Google Scholar 

  • Gombrich EH (2006) The Story of Art. Praha: Argo

    Google Scholar 

  • Harden M (2007) Mark Harden’s Artchive, entry Georges Seurat, http://www.artchive.com, traced 10.11.2007

  • Itten J (1976) The Art of Color. New York: John Wiley and Sons, inc

    Google Scholar 

  • Kilian D (ed, 1999) Your visit to Orsay. Versailles, Fr.: Art Lys

    Google Scholar 

  • MacEvoy B (2007) Watercolors. http://handprint.com, traced 26.11.2007

  • Parramón JM (1998) Teorie barev (The color theory), Praha: Svojtka a Vašut

    Google Scholar 

  • Roque G (1996) Chevreul and Impressionism: A reapraisal, Art Bulletin, vol. 78, no. 3, March, pp. 26–39

    Google Scholar 

  • Ruskin J (1846) Modern Painters. Vol. III. Of Ideas of Beauty. London: AN

    Google Scholar 

  • The Minneapolis Institute of Arts, http://www.artsmia.org/, traced 10.11.2007

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2009 Springer-Verlag Berlin Heidelberg

About this chapter

Cite this chapter

Friedmannová, L. (2009). What Can We Learn from the Masters? Color Schemas on Paintings as the Source for Color Ranges Applicable in Cartography. In: Cartography and Art. Lecture Notes in Geoinformation and Cartography. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-68569-2_9

Download citation

Publish with us

Policies and ethics