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Xunzi as a Theorist and Defender of Ritual

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Part of the book series: Dao Companions to Chinese Philosophy ((DCCP,volume 7))

Abstract

This essay explores Xunzi’s understanding of ritual and shows how he responded to the challenges he faced both from critics and from what he believed were popular misunderstandings of ritual. His response, as I describe it, involves a number of related sophisticated philosophical positions that I label as “meta-level awareness and reflexivity,” “participant-observer consciousness,” and “symbolic realism.” The essay focuses on Xunzi’s powerful description of the Confucian death rituals and puts Xunzi in conversation on the one hand with critics of ritual, such as Sigmund Freud, James Harold, and Howard Curzer, and on the other hand with those whose work resonates with Xunzi’s, such as Robert Bellah and Roy Rappaport. I argue that because Xunzi demonstrates how to reinterpret rituals away from supernaturalism and literalism—which he considered misguided and potentially harmful—and toward the beautiful and sacred realm of the symbolic, his hermeneutic approach can contribute significantly to contemporary ritual theory and can speak to many people who find themselves alienated from the rituals of their traditions.

Parts of this chapter appeared in the volume Ritual and Religion in the Xunzi, edited by T.C. Kline III and Justin Tiwald (Kline and Tiwald 2014). Reprinted here with the permission of SUNY Press.

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Notes

  1. 1.

    All citations from the work of Roy Rappaport come from his remarkable final work, Ritual and Religion in the Making of Humanity (Rappaport 1999). Rappaport opens his book with a statement that illustrates the way in which his view is grounded in a picture of humanity that he shares with Xunzi. He writes that humanity is “a species that lives, and can only live, in terms of meanings it must construct in a world devoid of intrinsic meaning but subject to physical law” (Rappaport 1999: 1).

  2. 2.

    Belief in the existence of ghosts and spirits was not only held by the “unsophisticated,” but was also given philosophical justifications by sophisticated thinkers like Mozi .

  3. 3.

    Analects 10.12; much of Book 10 of the Analects provides illustrations of how Confucius conducted himself in a variety of situations

  4. 4.

    The realm of understanding and knowledge is particularly important in Xunzi’s vision of li, as we will see; while both the common people and sages follow ritual, only the sages understand it.

  5. 5.

    See Ivanhoe 2014.

  6. 6.

    For a sensitive treatment of death rituals in the Xunzi, see Yearley 1995: 14–18.

  7. 7.

    In Rosenblatt et al. 1976, numerous studies are cited to support these general claims. For another discussion of the range of emotional and behavioral reactions following the death of a loved one, see Hardt 1979: 128ff.

  8. 8.

    This is true of all feelings, including the love for others. If uncultivated, even love for a child can lead to unethical action (e.g., undermining the career of another so as to help your child advance). This is why ritual cultivation of all feelings is necessary. See Hutton 2000.

  9. 9.

    In this section and elsewhere, I point to similarities between Xunzi and Freud using terms like “pathology” or “symbolic object.” Some might question the justifiability of comparisons framed in such terms: e.g., does Xunzi have any notion corresponding precisely to “pathology” or “symbolic object”? I offer two responses here. First, I believe that in some cases, as with “symbolic object,” Xunzi does have terms to indicate virtually the same idea (he indicates the symbolic use of something with the word xiang 象—see below on p. 251), though he advocates a very different use of symbols than Freud. Second, in cases with no precise analogue in Xunzi, such as “pathology,” I believe that the concepts exist in Xunzi even without the exact word: for instance, Xunzi does believe that some ways of thinking, feeling and acting are potentially harmful to oneself (or others). See also Van Norden (2007: 21–23), who calls the notion that the lack of an exact word in a language (or the work of a particular author) indicates the lack of the concept “the lexical fallacy,” and gives other examples of authors who have no term for concept X, yet clearly have the concept.

  10. 10.

    This practice is described by He Liankui 何聯奎 in “Sangcang” (He and Wei 1956: 80–84). It is reprinted in Paper and Thompson 1998: 48. Rosenblatt et al. 1976: 72 discuss examples of breaking accompaniment objects in a range of cultures.

  11. 11.

    For a discussion of these tensions in Melanesian funeral rites, see Malinowski 1948: 30.

  12. 12.

    This notion of ambivalence can be seen in the common Chinese belief in the two-part nature of the soul. One part, the po 魄, represents the aspect of death as threatening, disintegrating and earthbound (it is the yin 陰 component, associated with gui 鬼 “ghost”), while the other, hun 魂, represents the ongoing connection with the family, the surviving “spirit” of the deceased (it is the yang 陽 component, associated with shen 神 “spirit”). It makes sense, then, that the former resides in the earthly grave and must be propitiated and the latter, associated with the heavenly realm, is thanked and honored. See Thompson 1979: 11, 19 and 47. See also Schipper 1993: 36.

  13. 13.

    Rosemary Gordon examines the human response to the sight of an inert body where there was once an animated, loved human being, making the dead an “absent presence.” See Gordon 1978: 21.

  14. 14.

    One of the most thoughtful early anthropological studies of secondary burials is Hertz 1960. Hertz demonstrates that one way in which death is represented is through certain ways of handling and manipulating the remains of the dead.

  15. 15.

    One patient who suffered from prolonged grief disorder and successfully sought help said of the treatment, “It really gave me my life back” (apud Schumer 2009). Harold’s emphasis on the essential importance of grief, rather than on the healthy functioning of the whole person, would deprive an individual of the chance to “get her life back.”

  16. 16.

    A key difference between the critique of Harold 2011 and the analysis of Seligman et al. 2008 is that the latter advocate less emphasis on sincerity and more on ritual participation. The sincerity that Harold 2011 strives to preserve is considered by Seligman et al. 2008 to be overemphasized and problematic in our culture.

  17. 17.

    This is related to the problem of the role of theoretically-informed thought in other sensory experiences, such as listening to music. It seems as if someone who sits through a Beethoven symphony continuously thinking about the structure of the symphony or its position in Beethoven’s larger oeuvre misses a lot in the performance. In a sense, they are not fully present, are not focused on the music as it is being played. On the other hand, a listener who simply experiences the notes in a moment-to-moment, ongoing succession, decontextualized from the larger structure, has an impoverished experience as well. Appreciation of things that are complex takes time, repeated experience, and expanded awareness. This involves (but is not limited to) a perspective informed by theoretical knowledge. So I would hold that at the highest levels, listening to great music, like participating in ritual activity, involves not simply a deep moment-to-moment sensuous absorption, but also a theoretical awareness (though not necessarily the activity of discursive thinking itself).

  18. 18.

    The literalist-supernaturalist delusion can, in extreme cases, lead to inhuman acts, a notable example being that of “accompaniment burials.” Xunzi thoroughly condemns the practice, whereby a powerful figure, normally a ruler of great stature, would be buried alongside an accompanying subterranean retinue (e.g., soldiers, loyal servants, concubines), members of which were “sacrificed” (in theory willingly) for this purpose. The practice was based on a belief that the spirit of the deceased entered the next world bearing with him the objects and people put with him in the grave. This is why great wealth, horses, and clothing were buried alongside rulers—they would need them. Xunzi, who emphasizes in his discussion of altered objects that these items are to be taken symbolically, not literally, addresses the practice by writing, “To execute the living so that they can escort the dead is termed ‘predation’” (HKCS 19/96/1; K III.68–69, 19.8; W 109). The inexcusable practice is based on a misguided supernaturalism.

  19. 19.

    John Bowker explains Freud’s word choice: “The words ‘as if’ have a very precise context in Freud’s argument. The words ‘as if’ belonged, in his time, to a technical philosophical position, the als ob of Vaihinger , but Freud took Vaihinger’s ‘as if’ as a basic example of the defect and error of religious belief in general. But in fact what happened, at least in part, was that he extrapolated a specialized issue in the philosophy of knowledge into a general definition of the illusory nature of religious belief: religion is clearly false, but it serves practical purposes” (Bowker 1991: 15).

  20. 20.

    Yearley writes that “for Xunzi, many religious activities are ‘necessary fictions’” (Yearley 1995: 18).

  21. 21.

    See Campany ’s discussion of this passage in Campany 1992: 211ff.

  22. 22.

    From a private communication. I am indebted to T.C. Kline III for this point.

  23. 23.

    As Emil Benveniste observes, the entire process of psychoanalysis operates through language which “is nothing but symbolism” (Benveniste 1971: 73).

  24. 24.

    I thank Chris Jochim for pointing me to the Bellah article.

  25. 25.

    Bellah argues that while scientific symbols are those which express the nature of objects, religious symbols are those which “express the feelings, values and hopes of subjects, or which organize and regulate the flow of interaction between subjects and objects, or which attempt to sum up the whole subject-object complex, or even point to the context or ground of that whole. These symbols too express reality” (Bellah 1970: 93).

  26. 26.

    Actually, as Bellah 1970 points out, Freud really did understand the power of symbols—after all, in order to explain one of his most important discoveries, he uses a myth—that of Oedipus. He employs the mythic language of struggle between eros and thanatos; and his therapy emphasizes the exploration of dreams—an implicit recognition that symbols are important in the process of healing. Yet he aimed to go behind the symbols to unmask the psychic forces that produce them, never seeing, as Jung did, the therapeutic power of the symbols themselves. Xunzi sees how ritual symbols can shape disordered, potentially destructive impulses into something harmonious and beautiful; to create ordered individuals and communities out of potential chaos. Freud thinks that the complete harmonization of our emotions and impulses is impossible, and that conflict among them, and the repression of some of them, are inevitable. In Civilization and its Discontents, he argues that people can never be fully at home in society, as membership in any community requires the repression of some of our instincts and desires.

  27. 27.

    I am indebted to Laura Medin for this point.

  28. 28.

    Freud questions the very notion of “higher-order” goods, stating that the beauty of a religious ritual or a work of art is a pale substitute for what we really want: satisfaction of our sexual or aggressive desires. I would suggest, however, that these are distinct orders of human satisfaction, that the aesthetic or religious is not merely a culturally acceptable substitute for the sexual, and that however much sexual gratification a person gets, his or her life would still lack something vital without ritual and art.

  29. 29.

    Xunzi frequently employs words with a strong aesthetic dimension: mei 美 (“beauty”), ya 雅 (“elegance”), wen 文 (“cultural ornamentation”), fa 法 (“model ”), etc. For example, Xunzi writes, “If there were no conscious activity , then human nature would have no way to beautify itself” (HKCS 19/95/1–2, W 106).

  30. 30.

    Information about the experiment can be found on Zimbardo’s website about it, http://www.prisonexp.org/.

  31. 31.

    Guido Fackler writes of music in WWII concentration camps, “Music gave the prisoners consolation, support and confidence; it reminded them of their earlier lives; it provided diversion and entertainment; and it helped them to articulate their feelings and to deal with the existential threat of their situation emotionally and intellectually. Even the least conspicuous ways of making music took on a deep significance in the concentration camp” (Fackler 2007: 12–13). See also Berkowitz 1979.

  32. 32.

    Research in recent decades shows that Xunzi is certainly wrong about the lack of these dimensions in non-human animals . But his error, which is shared by countless thinkers in the West (some of them still active), does not affect his overall argument. One need not defend a picture of human exceptionalism in order to make the case that these aspects of life are profoundly important to humans.

  33. 33.

    Ironically, it is the Utilitarian Mozi who advocates the strongest form of obeying one’s superior in a hierarchy.

  34. 34.

    This is one of the points made by Metzger 1986.

  35. 35.

    Eric Hutton, private correspondence.

  36. 36.

    Ted Slingerland has rightly argued against John Knoblock’s claim that at Xunzi’s hands, “ritual became a secular matter detached from the religious system that produced it” (Slingerland 1998: 385). As Slingerland emphasizes, demythologization (demystification) is not the same as secularization. In fact, what makes Xunzi so appealing for our time is that he showed how to reinterpret the tradition (away from supernaturalism and literalism) while retaining its deeply “religious” nature. (On the use of the term “religious” to describe Confucians, see Berkson 1999: 357–70.)

  37. 37.

    This creation was the act of the sage kings; but a re-creation occurs with each performance of the li.

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Berkson, M. (2016). Xunzi as a Theorist and Defender of Ritual. In: Hutton, E. (eds) Dao Companion to the Philosophy of Xunzi. Dao Companions to Chinese Philosophy, vol 7. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-7745-2_8

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