Abstract
The vast span of Rabindranath Tagore’s (1961–1941) works abounds with various moments of the dialectic of light and darkness. In this paper, I shall treat only a few selections.
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Notes
R.R. 10, pp. 99–105. Ibid., p. 107.
R.R. 6, pp. 303–361. R.R. 6, pp. 521–560. “ Ibid., p. 559.
R.R. 12, Dharma (religion), pp. 9–14.
R.R. 12, Santiniketan (Lectures delivered at Santiniketan temple), pp. 124–126.
Ibid., pp. 126–128.
Some such songs may be sung while presenting the paper.
Shona, op. cit., R.R. 12, p.127.
Chhinna-patrabali (stray letters), letter no. 73, R.R. 11, p. 82.
Gitabitan (Tagore’s song-book), R.R. 4, p. 58.
R.R. 3, pp. 347–384; Patraput means a leafy pot.
R.R. 3, pp. 631–673.
Gitabitan, R.R. 4, p. 381.
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© 1992 Springer Science+Business Media Dordrecht
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Ray, S. (1992). Tagore on the Dialectics of Light and Darkness. In: Tymieniecka, AT. (eds) The Elemental Dialectic of Light and Darkness. Analecta Husserliana, vol 38. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-3296-3_6
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DOI: https://doi.org/10.1007/978-94-017-3296-3_6
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