Abstract
In his famous article Mourning and Melancholia, Sigmund Freud contrasted the denotations of the two title notions. They have one feature in common, he wrote, they are a reaction to the feeling of some loss. However, while mourning is induced by an actual fact — “mourning is regularly the reaction to the loss of a loved person, or to the loss of some abstraction which has taken the place of one, such as one’s country, liberty, an ideal, and so on”1 — in melancholia the cause remains hidden: “the inhibition of the melancholic seems puzzling to us because we cannot see what it is that is absorbing him so entirely”.2 Therefore, mourning is a normal state which relates to a reality existing outside a person, whereas melancholia is a pathological state sweeping over the human ego. “In mourning it is the world which has become poor and empty; in melancholia it is the ego itself”.3 Thus the mysteriousness of melancholia lies in the fact that loss affects the very essence of man. This fact is responsible for the difficulty of detecting the cause of the illness and it also explains why “the patient represents his ego to us as worthless, incapable of any achievement and morally despicable; he reproaches himself, vilifies himself and expects to be cast out and punished”.4
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsPreview
Unable to display preview. Download preview PDF.
Notes
S. Freud, “Mourning and Melancholia”, in Freud, On Metapsychology: The Theory of Psychoanalysis (The Penguin Freud Library, Vol. XI) (London: 1991 ), pp. 251–252.
Ibid., p. 254.
Ibid., p. 254.
Ibid., p. 254.
It is to be noticed that in the German original Freud used in the term “die Melancholie”, which simply means “melancholy” (see: “Trauer und Melancholie”, in Freud, Gesammelte Werke, Vol. X [London: 1946], pp. 428–446). Melancholia appears only in the English translation of the article.
R. Klibansky, E. Panofsky, F. Saxl, Saturn and Melancholy. Studies in the History of Natural Philosophy,Religion and Art (London: 1964), p. 1.
Ibid., passim; F. Nordstrom, Goya, Saturn and Melancholy. Studies in the Art of Goya (Göteborg, Uppsala: 1962), p. 14; W. Bafus, “Unbestimmtheit als Bedeutungsträger. Bemerkungen über das Bild `Blick in die Ferne’ von Christian Ruben”, Mitteilungen der Osterreichischen Galerie 78/79 (1990/1991): 46–60.
Quoted after W. Benjamin, Deutsche Menschen (Frankfurt/M: 1977), p. 63.
J. Starobinsky, “Le concept de nostalgia”, Diogène 54 (1966): 96. The term “nostalgia” was invented by Johannes Hofer. See his: Dissertatio medica de Nostalgia (Basel: 1688).
Starobinsky, op. cit., p. 106ff; S. Vromen, “Maurice Halbwachs and the Concept of Nostalgia”, Knowledge and Society, 6 (1986): 55–66; B. S. Turner, “Ruine und Fragment. Anmerkungen zum Barockstil”, in Allegorie und Melancholie, ed. W. von Reijen (Frankfurt/M: 1992), pp. 212–214.
L. F. Földényi, Melancholie, trans. N. Tahy (Munich: 1988), p. 333.
Ibid.
F. Petrarca, Opere Latine, ed. A. Bufano, Vol. I (Turin: 1975), p. 138.
U. Horstmann, Der lange Schatten der Melancholie. Versuch über ein angeschwärztes Gefühl (Essen: 1985), p. 24.
H. Tellenbach, Melancholie. Problemgeschichte, Typologie, Pathogenese und Klinik (Berlin, Göttingen, Heidelberg: 1961).
L. Binswanger, Melancholie und Manie. Phänomenologische Studien (Pfullingen: 1960), pp. 49–50; S. Biran, Melancholie und Todestriebe. Dynamishe Psychologie der Melancholie (Psychologie und Person, Vol. II) (Munich, Basel: 1960).
Petrarca, op. cit., pp. 140–142.
J. Tischner, “Chochof sarmackiej melancholii”, in Tischner, Swiat ludzkiej nadziei (Krakow: 2nd ed., 1992), p. 19.
E. Cioran, Sur le cImes du désespoir (Paris: 1992), Ch. “Mélancolie”; P. Richardson, “Wonne der Wehmut/Joy of grief”, Archiv für das Studium der neueren Sprachen und Literaturen 211 (1974): 377–378.
Freud, op. cit., p. 253.
Ph. Ariés, L’Homme devant la mort (Paris: 1977), Ch. X.
Quoted after Ch. Kahn, Die Melancholie in der deutschen Lyrik des 18. Jahrhunderts (Heidelberg: 1932), pp. 24–25.
For the idea of “undecidable”, introduced into the philosophy of science by Kurt Gödl, see: J. Derrida, Dissemination, trans. B. Johnson (Chicago: 1981), p. 219 and V. Descombes, Le Même et l’Autre. Quarante-cinq ans de la philosophie française (1933–1978) (Paris: 1979), pp. 177–178.
G. Gorer, Death, Grief and Mourning in Contemporary Britain (New York: 1965); Ariés, op. cit., Ch. XII.
W. Bafus, “Die Melancholie der Metaphysik bei Giorgio de Chirico. Ein Schicksal der Moderne”, Ars 2 (1994): 162–174.
M. Préaud, Mélancolies (Paris: 1982), Ch.: “La Mort mélancolique”.
Földényi, op. cit., pp. 133ff; R. Kuhn, The Demon of the Noontide. Ennui in Western Literature (Princeton: 1976). Ch. VI-XI; G. Blambeger, Versuch über den deutschen Gegenwartsroman. Krisenbewußtsein und Neubegründung im Zeichen der Melancholie (Stuttgart: 1985), pp. 16–19.
Quoted after: “Komm, heilige Melancholie”. Eine Anthologie deutscher Melancholie-Gedichte, ed. L. Völker (Stuttgart: 1983), p. 522.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 1998 Springer Science+Business Media Dordrecht
About this chapter
Cite this chapter
Bałus, W. (1998). From Mourning to Melancholy. In: Tymieniecka, AT. (eds) Phenomenology of Life and the Human Creative Condition. Analecta Husserliana, vol 52. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-2604-7_24
Download citation
DOI: https://doi.org/10.1007/978-94-017-2604-7_24
Publisher Name: Springer, Dordrecht
Print ISBN: 978-90-481-4805-9
Online ISBN: 978-94-017-2604-7
eBook Packages: Springer Book Archive