Abstract
Roman Ingarden has created a phenomenological approach to art that can adequately meet the most basic and most general problems of art in a way that by far supersedes all previous attempts. Another problem concerns the extent to which Ingarden’s answers can be accepted, but the very fact that these answers have been given sufficiently determines the unique position of Ingarden’s system.
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Osadnik, W.M.; Plesnar Ł. (1988) “La naturaleza cuasi-linguistica de la comunication filmica”, Semiosis, Vol. 21, pp. 77–109.
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© 1994 Springer Science+Business Media Dordrecht
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Helman, A., Osadnik, W.M., Plesnar, Ł., Wilk, E. (1994). Some Remarks on the Application of Ingarden’s Theory to Film Studies. In: Tymieniecka, AT. (eds) Allegory Revisited. Analecta Husserliana, vol 41. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-0898-0_28
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DOI: https://doi.org/10.1007/978-94-011-0898-0_28
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