Abstract
The most free among the arts, music (above all, “pure music”) represents an entire world of major significance for humanity.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Bentoiu, Pascal. Capodopere enesciene. Bucuresti: Ed. Muzicală, 1984.
Biemel, Walter. Philosophische Analysen zur Kunst der Gegenwart (The Hague: Nijhoff, 1968); Romanian translation Expunere şi interpretare. Bucureşti: Ed. Univers, 1987.
Hartmann, Nicolai. Ästhetik. Berlin: Walter de Gruyter & Co., 1953: Romanian translation, Estetica. Bucuresti: Ed. Univers, 1974.
Lalo, Charles. Esquisse d’une Esthétique Musicale Scientifique. Paris: Félix Alcan, Editeurs, 1908.
Noica, Constantin. Scrisori despre logica lui Hermes. Bucureşti: Ed. Cartea Românească, 1986.
Voicana, Mircea. (ed.). George Enescu. Bucureşti, Ed. Academiei Române, 1971.
Worringer, Wilhelm. Abstraktion und Einfühlung. Piper & Co., Munich: 1921; Romanian translation Abstracţie şi intropatle. Ed.Univers, Bucureşti, 1970.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2002 Springer Science+Business Media Dordrecht
About this chapter
Cite this chapter
Cozma, C. (2002). The Philosophical “Exposure” and “Interpretation” of a Musical Creation. In: Tymieniecka, AT. (eds) The Creative Matrix of the Origins. Analecta Husserliana, vol 77. Springer, Dordrecht. https://doi.org/10.1007/978-94-010-0538-8_23
Download citation
DOI: https://doi.org/10.1007/978-94-010-0538-8_23
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-010-3929-1
Online ISBN: 978-94-010-0538-8
eBook Packages: Springer Book Archive