Abstract
Memorials, like texts, escape the intentions of those who create them. Designed to recall past events or personalities, memorials are sometimes radically reinterpreted as a consequence of later political or military conflicts, acquiring new layers of meaning as a result and engendering different, often unanticipated memories. The chapter examines this process with reference to a specific, deeply contested lieu de mémoire: the U.S. Naval Memorial in the French city of Brest. This imposing tower has a complex history that reveals both the creative and the destructive impacts of twentieth-century warfare on European urban environments and underlines the uneasy relationship between the United States and its European allies. Originally constructed in the early 1930s to commemorate the achievements of the American Expeditionary Force in World War I, the memorial was destroyed during the German occupation in World War II, only to be rebuilt in the late 1950s. Using published official histories, unpublished archival materials in France and the United States, and the oral testimonies of some of the city’s residents, this chapter examines the politics behind the surprisingly varied interpretations of the memorial’s construction, destruction, and reconstruction.
Il pleut sans cesse sur Brest
Comme il pleuvait avant
Mais ce n’est plus pareil et tout est abîmé
C’est une pluie de deuil terrible et désolée
Ce n’est même plus l’orage
De fer d’acier de sang
Tout simplement des nuages
Qui crèvent comme des chiens
Des chiens qui disparaissent
Au fil de l’eau sur Brest
Et vont pourrir au loin
Au loin très loin de Brest
Dont il ne reste rien.1
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Heffernan, M. (2011). History/Archive/Memory: A Historical Geography of the US Naval Memorial in Brest, France. In: Meusburger, P., Heffernan, M., Wunder, E. (eds) Cultural Memories. Knowledge and Space, vol 4. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-8945-8_13
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