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Handbook of Phenomenological Aesthetics pp 29–32Cite as

Antonio Banfi

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Part of the book series: Contributions To Phenomenology ((CTPH,volume 59))

Abstract

Antonio Banfi (1886–1957). Banfi’s aesthetics begins with an unprejudiced opening toward aesthetic and artistic experience in all its vitality and complexity, and with the assertion that this experience is compromised by current ways of theorizing (especially by theories influenced by the neo-idealistic philosophical tradition where Italy is concerned). The remedy to this situation is not connected, in Banfi’s reflections with some intuitive form of abandoning oneself to lived immediacy, but rather with an investigation exploring worlds of knowledge presented by history.

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Author information

Authors and Affiliations

  1. Università degli Studi di Milano, Milano, Italy

    Gabriele Scaramuzza

Authors
  1. Gabriele Scaramuzza
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Editor information

Editors and Affiliations

  1. Fac. Humanities, Charles University Prague, U Krize 8, Praha 5, 156 00, Czech Republic

    Hans Rainer Sepp

  2. Center for Advanced Research of, Florida Atlantic University, P.O. Box 3091, Boca Raton,, 33431-0881, U.S.A.

    L. Embree

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Scaramuzza, G. (2009). Antonio Banfi. In: Sepp, H., Embree, L. (eds) Handbook of Phenomenological Aesthetics. Contributions To Phenomenology, vol 59. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-2471-8_5

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