Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons

  • Elaine Chew
  • Clifton Callender
Conference paper

DOI: 10.1007/978-3-642-39357-0_6

Part of the Lecture Notes in Computer Science book series (LNCS, volume 7937)
Cite this paper as:
Chew E., Callender C. (2013) Conceptual and Experiential Representations of Tempo: Effects on Expressive Performance Comparisons. In: Yust J., Wild J., Burgoyne J.A. (eds) Mathematics and Computation in Music. MCM 2013. Lecture Notes in Computer Science, vol 7937. Springer, Berlin, Heidelberg

Abstract

Tempo is an important parameter that is varied and analysed in music performance. We argue that it is important to consider both tempo and log(tempo) in score time as well as performance time in the analysis of performances; performance time mirrors listeners’ real time experience, and log(tempo) gauges proportional tempo changes. As demonstration, we revisit Chew’s (2012) score time tempo analysis of performances of Beethoven’s “Moonlight” Sonata, and generate new results using log(tempo) and performance time. We show that extreme differences in score time tempo are ameliorated by considering log(tempo) and performance time, that the performers employed similar log(tempo) ranges and phrase lengths (in performance time), and that long score time phrases do not necessarily map to lengthy performance time spans due to speedier phrase traversal times. The results suggest that log(tempo) range and maximum performance time phrase length may act as perceptual constraints on the shaping of a performance.

Keywords

music analysis representation expressive performance tempo score time performance time 

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Copyright information

© Springer-Verlag Berlin Heidelberg 2013

Authors and Affiliations

  • Elaine Chew
    • 1
  • Clifton Callender
    • 2
  1. 1.Centre for Digital MusicQueen Mary University of LondonUnited Kingdom
  2. 2.College of MusicFlorida State UniversityUnited States of America

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