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Paradigmatic Classification

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The Topos of Music
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Summary

Paradigmatic classification deals with formation of classes of objects which belong to specific paradigms. Here, paradigms are fields of equivalence or association. In a more general setting than in mathematics, equivalence is not necessarily understood as being a transitive relation. We give motivation of the paradigm concept from musicology, semiotics and poetology, and mathematics. Our taxonomy yields two types of paradigms: by transformations and by similarity—however, in practice, they often appear in mixed form. In a mathematical perspective, the first type is covered by group theory, the second by topology. This means that fuzzy concepts in the humanities are not a priori useless, they can be incorporated into exact reasoning by means of a refined paradigmatic reconstruction.

The poetic function projects the principle of equivalence from the axis of selection to the axis of combination.

Roman Jakobson [245]

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© 2002 Springer Basel AG

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Mazzola, G. (2002). Paradigmatic Classification. In: The Topos of Music. Birkhäuser, Basel. https://doi.org/10.1007/978-3-0348-8141-8_10

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  • DOI: https://doi.org/10.1007/978-3-0348-8141-8_10

  • Publisher Name: Birkhäuser, Basel

  • Print ISBN: 978-3-0348-9454-8

  • Online ISBN: 978-3-0348-8141-8

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