Skip to main content

The Technological Entrepreneurs: Engineers, Accountants, and Hippies

  • Chapter
  • First Online:
Rock and Roll Fantasy?

Part of the book series: SpringerBriefs in Business ((BRIEFSBUSINESS,volume 35))

  • 1053 Accesses

Abstract

Technology made the recorded music industry possible, and despite current pronouncements of doom from record company executives, over the past century innovative entrepreneurs have always adapted technology so that more and more people have been able to enjoy music created by a growing pool of musicians [62]. As technology advanced, new musical styles were created when musicians were able to interact with different musical genres. In turn, the musicians influenced the technology that was created. Leo Fender, who could not play or tune a guitar, would never have created his path-breaking Telecaster guitar had there not been a demand for such an instrument. New technologies brought lower cost means of producing recorded music, but, at the same time, threatened the distribution of music by older methods. The recorded music industry significantly decreased the demand for sheet music, much as the later rise of cassette tapes and CDs decreased the demand for earlier technologies. Technological invention and musical style innovation have gone hand-in-hand since the nineteenth century.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 34.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 49.95
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  1. ____________ , In praise of commercialculture, Harvard University Press, Cambridge, 1998.

    Google Scholar 

  2. Mark Cunningham, Good vibrations: A historyof record production, Sanctuary Publishing Ltd., London, 1998.

    Google Scholar 

  3. Jeffrey L. Funk, Technological change within hierarchies:The case of the music industry, Economics of Innovation and New Technology 16 (2007), no. 1, 1–16.

    Google Scholar 

  4. Peter Lewis, Plug in, turn on,tune up, Fortune 149 (2004), no. 4.

    Google Scholar 

  5. Oliver Read and Walter L. Welch, From tin foil tostereo: Evolution of the phonograph, Howard W. Sams & Co., Indianapolis, Indiana, 1959 (1976).

    Google Scholar 

  6. Richard R. Smith, The history of rickenbackerguitars, Centerstream Publishing, Fullerton, CA, 1987.

    Google Scholar 

  7. Eric A. Strobl and Clive Tucker, The dynamics of chartsuccess in the U.K. pre-recorded popular music industry, Journal of Cultural Economics 24 (2000), 113–134.

    Article  Google Scholar 

  8. Paul Trynka (ed.), Rock hardware: Forty yearsof rock instrumentation, Balafon Books, London, 1996.

    Google Scholar 

  9. Peter Tschmuck, Creativity and innovation in the music industry.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2013 Springer Science+Business Media New York

About this chapter

Cite this chapter

Phillips, R.J. (2013). The Technological Entrepreneurs: Engineers, Accountants, and Hippies. In: Rock and Roll Fantasy?. SpringerBriefs in Business, vol 35. Springer, New York, NY. https://doi.org/10.1007/978-1-4614-5900-2_7

Download citation

Publish with us

Policies and ethics