Abstract
Technology made the recorded music industry possible, and despite current pronouncements of doom from record company executives, over the past century innovative entrepreneurs have always adapted technology so that more and more people have been able to enjoy music created by a growing pool of musicians [62]. As technology advanced, new musical styles were created when musicians were able to interact with different musical genres. In turn, the musicians influenced the technology that was created. Leo Fender, who could not play or tune a guitar, would never have created his path-breaking Telecaster guitar had there not been a demand for such an instrument. New technologies brought lower cost means of producing recorded music, but, at the same time, threatened the distribution of music by older methods. The recorded music industry significantly decreased the demand for sheet music, much as the later rise of cassette tapes and CDs decreased the demand for earlier technologies. Technological invention and musical style innovation have gone hand-in-hand since the nineteenth century.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
____________ , In praise of commercialculture, Harvard University Press, Cambridge, 1998.
Mark Cunningham, Good vibrations: A historyof record production, Sanctuary Publishing Ltd., London, 1998.
Jeffrey L. Funk, Technological change within hierarchies:The case of the music industry, Economics of Innovation and New Technology 16 (2007), no. 1, 1–16.
Peter Lewis, Plug in, turn on,tune up, Fortune 149 (2004), no. 4.
Oliver Read and Walter L. Welch, From tin foil tostereo: Evolution of the phonograph, Howard W. Sams & Co., Indianapolis, Indiana, 1959 (1976).
Richard R. Smith, The history of rickenbackerguitars, Centerstream Publishing, Fullerton, CA, 1987.
Eric A. Strobl and Clive Tucker, The dynamics of chartsuccess in the U.K. pre-recorded popular music industry, Journal of Cultural Economics 24 (2000), 113–134.
Paul Trynka (ed.), Rock hardware: Forty yearsof rock instrumentation, Balafon Books, London, 1996.
Peter Tschmuck, Creativity and innovation in the music industry.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2013 Springer Science+Business Media New York
About this chapter
Cite this chapter
Phillips, R.J. (2013). The Technological Entrepreneurs: Engineers, Accountants, and Hippies. In: Rock and Roll Fantasy?. SpringerBriefs in Business, vol 35. Springer, New York, NY. https://doi.org/10.1007/978-1-4614-5900-2_7
Download citation
DOI: https://doi.org/10.1007/978-1-4614-5900-2_7
Published:
Publisher Name: Springer, New York, NY
Print ISBN: 978-1-4614-5899-9
Online ISBN: 978-1-4614-5900-2
eBook Packages: Business and EconomicsBusiness and Management (R0)