Abstract
How can a data-driven visualization tell multiple interplaying stories and achieve a viable result in an abstract visual composition? How can we provide multi-levels of investigation of a certain phenomenon in a paper-based data visualization as if it were an interactive piece (article) where readers can lose themselves? This article relies on a series of exploratory data visualizations originally published for La Lettura, the Sunday cultural supplement of Corriere della Sera with my team at Accurat. Purposely, we here aim at delivering rich visual narratives able to maintain the complexity of the data but still making this complexity more accessible and understandable, publishing compound and complex stories told through data visualizations. The contribution will describe how we can imagine to open new perspectives in the newspaper-editorial field and how we can higher aim at educating readers’ eyes to get familiar with new visual ways to convey the richness, the involvement and feelings (being engagement or concern) that we experience in our everyday lives rather than simplifications of the world. This contribution will outline the design process from the very first idea to the final results in different cases, presenting backstage materials such as sketches and intermediate versions and elucidating our personal aims, purposes, and expectations within this exploratory project. It concludes by tracing some final red threads to discover possible new approaches to the aesthetics of data visualization: focusing on how to get inspired from many different disciplines, how to build a personal method and set individual goals, and explaining how we hope our aesthetic and analytic choices can generate new possibilities for ongoing creativity and research in the field. The idea here is to open possible questions rather than providing finite and definitive answers: to ask ourselves how far can we go rather than delimiting the field.
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- 1.
La Lettura can be translated as “the very act of reading, of spending consistent time in the activity of reading.”
- 2.
See Brainpickings Web site, URL, December 28, 2013: http://www.brainpickings.org/index.php/2013/02/13/giorgia-lupi-brain-drain.
- 3.
“Inventing Abstraction” exhibition, MoMA, Leah Dickerman (Curator), December 23, 2012–April 15, 2013 .
- 4.
John Cage was an American composer, music theorist, writer, and artist. A pioneer of indeterminacy in music, electroacoustic music, and nonstandard use of musical instruments; Cage is perhaps best known for his 1952 composition 4′33″, which is performed in the absence of deliberate sound; musicians who present the work do nothing aside from being present for the duration specified by the title. The work of John Cage and other contemporary composers is also called “graphic music notation”: using non-traditional symbols and text to convey information about the performance of a piece of music.
- 5.
Composed by John Cage in 1958, Fontana Mix is a piece of tape music consisting of a score and four multi-channel tapes featuring sources derived from six different classes (city sounds, country sounds, wind-produced sounds, manually produced sounds, electronic sounds and smaller, amplified sounds). It has a graphic score consisting of 10 sheets of paper with curved lines and 12 transparencies, 10 of which contain a varied number of randomly distributed dots, 1 with a straight line, and the last with a grid pattern. See online, URL, October 31, 2014:http://www.solwaygallery.com/images/Exhibitions/THANKS/50th_BIG/8_Cage-FontanaMix-Ltgrey.JPG
- 6.
Keynote at European Communication Summit, Brussels, June 2013.
References
Gansterer N (2011) Drawing a hypothesis, figures of thought. Springer, New York
Lupi G (2012) Non-linear storytelling: journalism through info-spatial compositions. Parsons J Inf Map IV. URL: http://pjim.newschool.edu/issues/2012/04/pdfs/ParsonsJournalForInformationMapping_Lupi_Giorgia.pdf
Credit and Acknowledgments
The article takes its basis from former pieces we published on various online journals and magazines: the Parsons Journal for Information Mapping, Visualfitting everything into the art boardly, Visualizingdata.org, Brainpickings, Fast Company during years 2012 and 2013.
Accurat.it
Accurat is a design agency and consultancy based in Milan and New York transforming data into meaningful stories, and developing multimedia narratives and interactive applications. Accurat is directed by Giorgia Lupi, Simone Quadri and Gabriele Rossi . Visualizations presented in the chapter have been designed and produced by: Giorgia Lupi, Simone Quadri , Gabriele Rossi, Davide Ciuffi, Federica Fragapane , Francesco Majno , Stefania Guerra , Marco Bernardi, Matteo Riva , Pietro Guinea Montalvo and Elisa Raciti .
The full gallery of the visualization, December 28, 2013: http://www.flickr.com/photos/accurat/sets/72157632185046466
Corriere della sera, La Lettura, Serena Danna e Pierenrico Ratto (working team), December 28, 2013: http://lettura.corriere.it
The author wishes to thank Mike Dewar , Glauco Mantegari and Roberta Sferlazza for their precious help and contribution to this article.
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Lupi, G. (2015). The New Aesthetic of Data Narrative. In: Bihanic, D. (eds) New Challenges for Data Design. Springer, London. https://doi.org/10.1007/978-1-4471-6596-5_3
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DOI: https://doi.org/10.1007/978-1-4471-6596-5_3
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