Keywords
- Cold Dark Matter
- Instrumental Rationality
- Digital Representation
- Technological Means
- Virtual Reality Experience
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
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Notes
Zizek, Slavoj, The Plague of Fantasies (Verso, 1997).
Lyotard, Jean Fransois, The Post Modern Condition (University of Minnesota Press, 1984), p. 73.
Ibid., p. ix.
Adorno, Theodore W., Aesthetic Theory, trans. Robert Hullot-Kentor (Minneapolis: University of Minnesota Press, 1997), p. 342.
Ibid., p. 16.
Bernstein, J. M., The Fate of Art (University Park: The Pennsylvania State University Press, 1992), p. 4.
Davies, Char, Changing Space: Virtual Reality as an Arena of Embodied Being: Multimedia: From Wagner to Virtual Reality (New York, New York: W. W. Norton & Company, 2001).
Sermon, Paul, The Emergence of User-and Performer-Determined Narratives in a Telematic Environment (Sheffield Hallam University: Presented at Pixel Raiders 2, 2004).
Parker, Cornelia, Cold Dark Matter: An Exploded View (Tate. Presented by the Patrons of New Art (Special Purchase Fund) through the Tate Gallery Foundation, 1995). http://www.tate.org.uk/colddarkmatter/
Wilson, Richard, 20:50 (London: The Saatchi Gallery, 2000), http://www.saatchigallery.co.ukigallery/keyworks.htm
Eliasson, Olafur, The Weather Project (London: The Tate Modern Gallery, 2003).
Ibid. (Bernstein, J.M.).
Riley, Bridget, Perception is The Medium (New York Art News, 1965).
Ibid. (Adorno), p. 338.
Ibid., p. 80.
Ibid. (Zizek), p. 49.
Ibid.
Ibid. (Adorno), p. 78.
Ibid. (Zizek), p. 48.
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Werner, J.P. (2006). Logos, Rationale and Desire in Convergent Art Practices. In: Tymieniecka, AT. (eds) Logos of Phenomenology and Phenomenology of the Logos. Book Five. Analecta Husserliana, vol 92. Springer, Dordrecht. https://doi.org/10.1007/1-4020-3744-9_7
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