Skip to main content

Part of the book series: Lecture Notes in Computer Science ((LNAI,volume 7206))

Included in the following conference series:

Abstract

We present the results of an experimental study of Haptic Digital Audio Effects with and without force feedback. Participants experienced through a low cost Falcon haptic device two new real-time physical audio effect models we have developed under the CORDIS-ANIMA formalism. The results indicate that the haptic modality changed the user’s experience significantly.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 49.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  1. Berdahl, E., Kontogeorgakopoulos, A., Overholt, D.: HSP v2: Haptic Signal Processing with Extensions for Physical Modeling. In: 5th International Workshop on Haptic and Audio Interaction Design - HAID, Copenhagen, pp. 61–62 (2010)

    Google Scholar 

  2. Berdahl, E., Niemeyer, G., Smith III, J.: HSP: A Simple and Effective Open-Source Platform for Implementing Haptic Musical Instruments. In: 9th International Conference on New Interfaces for Musical Expression - NIME, Pittsburgh, PA, pp. 262–263 (2009)

    Google Scholar 

  3. Castagne, N., Cadoz, C.: GENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction Physical Modeling. In: International Computer Music Conference - ICMC, Goteborg, Sweden, pp. 330–337 (2002)

    Google Scholar 

  4. MAX/MSP, http://www.cycling74.com

  5. Puckette, M.S.: The Theory and Technique of Electronic Music. World Scientific Press, Singapore (2007)

    Book  Google Scholar 

  6. Cadoz, C., Luciani, A., Florens, J.-L.: CORDIS-ANIMA: A modeling and Simulation System for Sound and Image Synthesis – The General Formalism. Computer Music Journal 17(1), 19–29 (1993)

    Article  Google Scholar 

  7. Sensable Technologies Phantom, http://www.sensable.com

  8. Novint Falcon, http://home.novint.com/

  9. Vanacken, L., De Boeck, J., Coninx, K.: The Phantom versus the Falcon: Force Feedback Magnitude Effects on User”s Performance during Target Acquisition. In: Nordahl, R., Serafin, S., Fontana, F., Brewster, S. (eds.) HAID 2010. LNCS, vol. 6306, pp. 179–188. Springer, Heidelberg (2010)

    Chapter  Google Scholar 

  10. Fitts, P.M.: The information capacity of the human motor system in controlling the amplitude of movement. Journal of Experimental Psychology 47(6), 381–391 (1954); reprinted in Journal of Experimental Psychology: General 121(3), 262–269 (1992)

    Article  Google Scholar 

  11. ISO: Ergonomic requirements for office work with visual display terminals (vdts)-part 9: Req. for non-keyboard input devices. Technical Report 9241-9 (2000)

    Google Scholar 

  12. Kontogeorgakopoulos, A., Cadoz, C.: Amplitude Modification Algorithms using Physical Models. In: 124th Audio Engineering Society Convention, Amsterdam (2008)

    Google Scholar 

  13. Luciani, A., Florens, J.-L., Couroussé, D., Cadoz, C.: Ergotic Sounds A new way to improve Playability, Believability and Presence of Digital Musical Instruments. In: 4th Int. Conf. on Enactive Interfaces, pp. 373–376 (2007)

    Google Scholar 

  14. O’Modhrain. S.: Playing By Feel: Incorporating Haptic Feedback into Computer-Based Musical Instruments. PhD thesis, Stanford University, Stanford, CA, USA (2000)

    Google Scholar 

  15. Berdahl, E., Niemeyer, G., Smith III, J.: Using Haptics to Assist Performers in Making Gestures to a Musical Instrument. In: 9th International Conference on New Interfaces for Musical Expression - NIME, Pittsburgh PA, pp. 177–182 (2009)

    Google Scholar 

  16. Marshall, T., Wanderley, M.: Examining the Effects of Embedded Vibrotactile Feedback on the Feel of a Digital Musical Instrument. In: 11th International Conference on New Interfaces for Musical Expression - NIME, Oslo, Norway (2011)

    Google Scholar 

  17. Cadoz, C., Wanderley, M.: Gesture-Music. In: Wanderley M., Battier M. (eds.) Trends in Gestural Control of Music, IRCAM – Centre Pompidou, pp. 71–94 (2000)

    Google Scholar 

  18. Zoelzer, U. (ed.): Digital Audio Effects. John Wiley & Sons Ltd. (2002)

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2012 Springer-Verlag Berlin Heidelberg

About this paper

Cite this paper

Kontogeorgakopoulos, A., Kouroupetroglou, G. (2012). Low Cost Force-Feedback Interaction with Haptic Digital Audio Effects. In: Efthimiou, E., Kouroupetroglou, G., Fotinea, SE. (eds) Gesture and Sign Language in Human-Computer Interaction and Embodied Communication. GW 2011. Lecture Notes in Computer Science(), vol 7206. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-34182-3_5

Download citation

  • DOI: https://doi.org/10.1007/978-3-642-34182-3_5

  • Publisher Name: Springer, Berlin, Heidelberg

  • Print ISBN: 978-3-642-34181-6

  • Online ISBN: 978-3-642-34182-3

  • eBook Packages: Computer ScienceComputer Science (R0)

Publish with us

Policies and ethics