Book Volume 5493 2009

Computer Music Modeling and Retrieval. Genesis of Meaning in Sound and Music

5th International Symposium, CMMR 2008 Copenhagen, Denmark, May 19-23, 2008 Revised Papers

ISBN: 978-3-642-02517-4 (Print) 978-3-642-02518-1 (Online)

Table of contents (21 chapters)

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  1. Front Matter

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  2. Retrieving the Meaning

    1. Perceptual and Cognitive Aspects

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        Pages 1-17

        Timbre Perception of Sounds from Impacted Materials: Behavioral, Electrophysiological and Acoustic Approaches

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        Chapter

        Pages 18-44

        Perception of Harmonic and Inharmonic Sounds: Results from Ear Models

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        Chapter

        Pages 45-66

        Semantic Contours in Tracks Based on Emotional Tags

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        Chapter

        Pages 67-80

        Chunking Sound for Musical Analysis

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        Chapter

        Pages 81-92

        Towards a Model of Musical Chunks

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        Chapter

        Pages 93-106

        Does Social Interaction Activate Music Listeners?

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        Chapter

        Pages 107-118

        Musically Meaningful or Just Noise? An Analysis of On-line Artist Networks

      Signal Structure Behavior

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        Chapter

        Pages 119-133

        The Pursuit of Happiness in Music: Retrieving Valence with Contextual Music Descriptors

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        Pages 134-146

        Perception of Impacted Materials: Sound Retrieval and Synthesis Control Perspectives

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        Chapter

        Pages 147-165

        Refinement Strategies for Music Synchronization

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        Chapter

        Pages 166-176

        Labelling the Structural Parts of a Music Piece with Markov Models

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        Chapter

        Pages 177-195

        Tree Representation in Combined Polyphonic Music Comparison

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        Chapter

        Pages 196-206

        Interval Distinction on Melody Perception for Music Information Retrieval

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        Chapter

        Pages 207-215

        A Learning-Based Model for Musical Data Representation Using Histograms

  3. Generating the Meaning: Tools and Performance

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      Chapter

      Pages 216-226

      Ontological Substance and Meaning in Live Electroacoustic Music

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      Pages 227-242

      Dynamic Mapping Strategies for Expressive Synthesis Performance and Improvisation

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      Chapter

      Pages 243-252

      Amplified Breath – (Dis)Embodied Habitat: Exploring Sonic Interfaces of Performance, Electronics, Space and Flautist Identity

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      Chapter

      Pages 253-261

      KSQuant - Complex Score Manipulation in PWGL through Quantization

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      Chapter

      Pages 262-271

      Strategies and Methods for Creating Symbolic Electroacoustic Scores in ENP

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      Chapter

      Pages 272-282

      An IEEE 1599-Based Interface for Score Analysis

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